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9001: A Space OdysseyReview | Recording Musician, Feb 1993Zoom 9001 Multi-Effects ProcessorBig effects, small package — Mike Simmons thinks it must be a Zoom. |
Mixed BlesssingsReview | Phaze 1, Jul 1989Dream Machine: Studiomaster 848r ProLine Mixerthe spotlight falls on the Studiomaster 848R mixer |
HagueGroup: The Front End |
Music & Pictures - Part 2Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jan 1986So You Want To Be A Screen Music Writer?Producer/composer Robin Lumley continues this series designed to take the mystery out of writing and recording music for film and television. |
Fast ForwardNews | The Mix, Nov 1994No hype, no waffle - just tomorrow's products todayTomorrow’s products previewed |
Practically FM - Part 3Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Jul 1988Part 3 of our series for FM synth owners, in which Martin Russ attempts to give away even more secrets of FM programming. Operators at the ready! |
The Rhythm SectionFeature | Topic: Drum Programming | Micro Music, Aug/Sep 1989Beatman Bill and the latest percussive pieces of news |
The Wrath Of The Wang Bar - Part 4Feature Series | One Two Testing, Feb 1984Revenge of the tremolo, returned to pitch. |
Coda Music FinaleReview | Music Technology, Dec 1988Software for the Apple MacintoshPossibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score. |
Roland S770 - Part 2Review Series | Music Technology, Jul 1990If Roland samplers have previously been under-recognised by the music industry, the S770 may be about to straighten things out. Simon Trask returns to Roland's super sampler to "delve deeper". |
SOS Hi-Tech AwardsFeature | Sound On Sound, May 1988What were the best products of 1987 according to Sound On Sound readers? Here are the long-awaited results of our poll. |
Synth ComputersGroup: Synth SpecialINPUT: computer analysis/Fairlight/Emulator/PPG/Synclavier/edit and compare/explain FILE FOUND: guest reviewer/Tom Dolby... ASSIGN |
Understanding the DX7 - Part 4Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1984The fourth part of Jay Chapman's guide to Yamaha FM. This month, he broaches the delicate subject of programming sounds from scratch. |
Akai S900 SamplerReview | Electronics & Music Maker, Jul 1986Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication. |
WelcomeEditorial | Micro Music, Feb 1990 |
A Double Dose of RolandReview | Sound On Sound, Apr 1992Roland JV80 & JY30 SynthsIs Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test. |
Studio 3DFeature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
EditorialEditorial | Home & Studio Recording, May 1984 |
State of PlayInterview | Music Technology, Apr 1987As film music becomes a more popular means for composers to earn a living, Tim Goodyer talks to soundtrack expert Steve Parsons about his work on the new British film, 'Empire State'. |