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Roland S770 - Part 2Review Series | Music Technology, Jul 1990If Roland samplers have previously been under-recognised by the music industry, the S770 may be about to straighten things out. Simon Trask returns to Roland's super sampler to "delve deeper". |
SOS Hi-Tech AwardsFeature | Sound On Sound, May 1988What were the best products of 1987 according to Sound On Sound readers? Here are the long-awaited results of our poll. |
Synth ComputersGroup: Synth SpecialINPUT: computer analysis/Fairlight/Emulator/PPG/Synclavier/edit and compare/explain FILE FOUND: guest reviewer/Tom Dolby... ASSIGN |
Understanding the DX7 - Part 4Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1984The fourth part of Jay Chapman's guide to Yamaha FM. This month, he broaches the delicate subject of programming sounds from scratch. |
Akai S900 SamplerReview | Electronics & Music Maker, Jul 1986Akai's super-sampler carries on where their S612 left off. Paul Wiffen finds its ease of use belies its sophistication. |
WelcomeEditorial | Micro Music, Feb 1990 |
A Double Dose of RolandReview | Sound On Sound, Apr 1992Roland JV80 & JY30 SynthsIs Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test. |
Studio 3DFeature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
EditorialEditorial | Home & Studio Recording, May 1984 |
Lexicon of LoveReview | Sound On Sound, Dec 1989Lexicon LXP5 Multi-Effects ProcessorFollowing the release of their acclaimed 'budget' LXP1 reverb, Lexicon have extended their presence in the affordable digital effects market with the LXP5 multi-effects unit. Dave Lockwood feels the quality. |
Newsdesk SpecialShow Report | Electronics & Music Maker, Sep 1984British Music Fair '84What captured our attention at the recent British Music Fair in London. |
Custom Sound Cub Practice AmpsReview | In Tune, Dec 1984 |
Peavey DPM3 SE & DPM SXReview | Music Technology, Aug 1991Digital Synth & Sampling InterfaceSince entering the keyboard market with the DPM3, Peavey have expanded the range and power of their gear. Simon Trask checks out Peavey's "upgradable" philosophy. |
A Mother's TouchReview | Sound On Sound, Mar 1989Roland A50 Mother KeyboardRoland have left the business of making MIDI controller keyboards up to others for at least three years, but have now just released two new models. Paul Ireson gets carried away with Roland's latest mother keyboard, the A50. |
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WelcomeEditorial | Sound On Sound, Aug 1987 |