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Yamaha Active Bass

Review | Electronic Soundmaker & Computer Music, Apr 1984

PB on the BB (1200)

NJD MP820

Group: Quality Control

Review | Music Technology, Nov 1993
MIDI-to-mains

Key velocity equals brightness - but were talking light, not sound, with this 8-channels-per-note interface from NJD.

Welcome

Editorial | Sound On Sound, Jun 1992
Vapourware

Open The Box

Interview | International Musician & Recording World, Aug 1986

They're a brilliant Soul band. A dub-Reggae band. An avant-garde band. And they don't know how they do it. Or do they? Tony Reed asks the questions...

With a little (more) help...

Interview | International Musician & Recording World, May 1975

Software Special

Feature | Topic: Computing | International Musician & Recording World, Feb 1985
Computercheck

A roundup of all the available music software including Island Logic, Greengate and MusiCal.

Eddie Van Halen

Interview | Music UK, Sep 1983

Exclusive words and pics

Peavey RMC 4512

Review | Music Technology, Dec 1987
MIDI Foot Controller

With both hands fully occupied on stage it seems a shame to use your feet for nothing but standing on; Rick Davies tries using his for controlling MIDI equipment.

The Producers

Group: Recording World

Feature | International Musician & Recording World, Feb 1985

Chas de Whalley encounters his old pal Huey Lewis to discuss the merits of self-production

Welcome

Editorial | Sound On Sound, Sep 1991
Best Synth Ever?

V-Amp VA-60 Lead Combo

Review | In Tune, Apr 1985

Working World

Interview | International Musician & Recording World, Oct 1986

Working Week take a break to chat to Tony Reed on the subjects of pop, politics, and the importance of dance.

Casio MG MIDI Guitar

Review | Music Technology, Dec 1987

Pitch-to-MIDI conversion without the complication of a free-standing conversion unit; Simon Trask finds new freedom in Casio's guitar controller.

Sound Advice

Feedback | Sound On Sound, Jan 1988

Our regular column devoted to readers' hints and tips about their recording equipment, instruments, software and playing techniques.

Blue Eyed Pop

Feature | Topic: Marketing / Promotion, Performing | Phaze 1, Nov 1988
The Weird and Wonderful World of The Blue Eyed Boys

do you really want to be the next bros?

Editorial

Editorial | Music UK, Nov 1983

Wordsmith's Warbles — Yawn-Alonga-Ed

Dynaware Ballade

Review | Music Technology, Mar 1990
IBM PC Software

This combined sequencer and tone editor for the IBM PC will work happily with Roland's MT32 and LAPC1. Ian Waugh looks into a serious PC music system.

Tuned in, turned on

Group: In Session

Feature | The Mix, Sep 1994
Community Radio

The innovation stations

Demo Doctor

Feature | Recording Musician, Jul 1992

Our regular readers' demo page is packed with invaluable tips on how to record the perfect demo.

Thatched Cottage

Feature | Topic: Retail | Micro Music, Dec 1989

Phil Brammer converses with one of the most controversial music dealers in the country - Dave Simpson of TCA

Acid Radical

Interview | Music Technology, Dec 1988

The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.

From Studio To Street - The Story Of DAT

Feature | Topic: Digital Audio, Tape, Vinyl, CD, DAT | Sound On Sound, Nov 1990

With DAT poised to make the leap from the professional recording studio to the high street, David Mellor looks at the benefits of the format to home recording.

Smaller, Neater, Cheaper...

Review | Sound On Sound, Mar 1992
Fostex X18 Cassette Multitracker

Following in the footsteps of Fostex's X15, their new X18 offers the cheapest and simplest entry to 4-track recording. Dave Lockwood puts it to the test.

Studio Diary

Group: Recording World

Feature | Topic: Recording Studios | International Musician & Recording World, Mar 1985

A special 10th anniversary Diary hot from the lips of Adrian Deevoy

Sequential Potential

Review | Electronics & Music Maker, Oct 1985
Prophet 2000

An exclusive preview of Sequential's attempt at combining an analogue polysynth with a digital sampling keyboard. It could turn the market on its head yet again, says Dan Goldstein.

 

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