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Roland SRV2000 & Yamaha REV7 ReverbsReview | One Two Testing, Feb 1986Every sussed studio should have one - which? | |||
Yamaha REV7Review | Home & Studio Recording, Oct 1985Digital ReverbThis long awaited product is now available and offers first class digital reverb along with a host of stereo DDL effects. | |||
Centre of AttractionShow Report | Home & Studio Recording, Aug 1985APRS ReviewNow that our feet have finally recovered from walking round the show, we can tell you what impressed us most (after the free drinks and sweatshirts). | |||
Studio Of The MonthGroup: Recording WorldThe LodgeJim Betteridge gets pastoral down at The Lodge | |||
Handsworth RevolutionGroup: Mixing it! | |||
Alesis through the Looking GlassReview | Home & Studio Recording, Mar 1986Sheer XTCA truly classy digital reverb at a sensible price. | |||
Wide Open SpacesReview | Electronics & Music Maker, Sep 1985A special, report on budget digital reverb, with the spotlight focussed firmly on two groundbreaking new machines, the Yamaha REV7 and Roland SRV2000. Paul White and Simon Trask take up the story. | |||
Home Taping: Tom RobinsonGroup: Recording WorldTony Reed gets Turbot charged | |||
The Drive behind the StarshipInterview | Home & Studio Recording, May 1986Craig Chaquico, lead guitarist for Starship and keen home recording enthusiast talks to Paul White about his studio. | |||
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. | |||
Mass ReactionGroup: ChitChat | |||
Track Record: Lessons In LoveGroup: Recording WorldJim Betteridge takes a lesson in love | |||
The SystemFeature | Topic: Home Studio | Electronic Soundmaker & Computer Music, Sep 1985Featuring Alejandro Vinao and Richard Attree | |||
Lexicon PCM70Review | Home & Studio Recording, Feb 1986Digital Effects ProcessorThis sophisticated processor is more than just a new digital reverb. | |||
Starship TrooperInterview | Music Technology, Mar 1991Back in the '60s it was Jefferson Airplane, then it was Jefferson Starship, then it was simply Starship. Brad Leigh Benjamin compares notes with the Synclavier king of one of rock's institutions. | |||
In The Heart Of The CountryFeature | Topic: Recording Studios | Music Technology, Apr 1987The Wool HallIf you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports. | |||
The Hippest WayInterview | International Musician & Recording World, Jul 1986'If you can't come from Chicago, come from Scotland', reasons Tony Reed | |||
Keeping It SimpleInterview | International Musician & Recording World, May 1986Ricky Gordon gets to grips with Mind men Burchill and McNeil. Strings and keys - simplicity! | |||
And Then There Was One...Interview | Electronics & Music Maker, Jul 1986Tim Goodyer pays Genesis' legendary keyboardsman a visit to hear all about life in one of rock's most longstanding and influential bands and their 16th LP. | |||
Five for Eighty-fiveRetrospective | Electronics & Music Maker, Jan 1986A nostalgic look back at 1985 by the people who bring E&MM to you each month. Was it really that bad? | |||
Community MusicFeature | Topic: Education, Recording Studios | Home & Studio Recording, Dec 1986A studio devoted to the service of the community. | |||
Partners In RhymeInterview | Music Technology, Feb 1992Felton Pilate's success spans "traditional" funk to the rap revolution - just now he's writing, producing and playing keys for Hammer. Nick Batzdorf raps tech with the Hammer man. | |||
Rooting For The New AgeInterview | Music Technology, Nov 1991In the desert of new age there are oases of music. Scott Wilkinson talks to an American guitarist with a story to tell and the technology to tell it. | |||
Production linesGroup: In SessionAt home with Chris HughesThe former Tears For Fears producer invites us in for a cuppa | |||
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