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Yamaha SPX90

Review | One Two Testing, May 1986

The do-everything effects box: does it really?

Yamaha SPX90

Review | Making Music, Apr 1986

Multi-Effects Unit

Yamaha SPX90 Multi-Effect Processor

Review | Electronics & Music Maker, Mar 1986

Yamaha's rack effects box to end all rack effects boxes. Tim Goodyer finds out why you might want two.

Yamaha SPX90

Review | Sound On Sound, Apr 1986

£600 (almost) buys you this boxful of MIDI-controlled digital effects processors. But can they be good quality? Ian Gilby dragged himself out of the studio long enough to give us his opinions.

Hands On: Yamaha SPX90

Feature | Topic: Effects Processing | Sound On Sound, Dec 1991

David Mellor offers advice to the studio newcomer on the original multi-effects unit.

The Power Behind the Button

Review | Electronics & Music Maker, May 1986
Yamaha SPX90

With the help of new software technology, Yamaha's new multi-FX unit does the job of a half-dozen outboard machines. Paul White gives a rundown of what it can do, and how well it does it.

Jack Of All Trades

Review | Home & Studio Recording, May 1986
Yamaha SPX90

Is it a reverb? Is it a sampler? Yes and no; it's Yamaha's new digital Jack of all trades and it offers surprising value for money.

Yamaha SPX90 Effects Processor

Group: Recording World

Review | International Musician & Recording World, May 1986
Studio Test

A multitude of digital effects in a single box for only £600

How to Store your SPX90 Effects

Feature | Topic: Effects Processing, MIDI | Sound On Sound, Oct 1988
Using System Exclusive Bulk Dumps

Have you ever wished you could save your SPX90 effects programs to disk or into your MIDI sequencer for instant recall at the right point in your music? Using the power of MIDI’s System Exclusive Bulk Dump commands, Mike Collins explains how it can be done.

Special FX

Feature | Topic: Effects Processing, Synthesizer Patches | Recording Musician, Jul 1992

Your chance to send in patches for your favourite effects units.

Mono Mode - Part 4

Feature Series | Topic: MIDI | Music Technology, Nov 1986

You thought multi-timbral MIDI was only for synthesisers and samplers? You thought wrong, as Paul Wiffen proves with his analysis of Mode 4 on the Yamaha SPX90 effects processor.

Leader

Editorial | Home & Studio Recording, May 1986

Sound Advice

Feedback | Sound On Sound, Mar 1987

More readers' queries are answered by the expert teaching staff of London's Gateway School Of Recording & Music Technology.

SOS Hi-Tech Awards

Feature | Sound On Sound, May 1988

What were the best products of 1987 according to Sound On Sound readers? Here are the long-awaited results of our poll.

Readers' Systems

Feature | Topic: Home Studio | Home & Studio Recording, Nov 1986
From SOS to 8-track

Another chance to see who bought what, why they bought it and how pleased they are now that it's too late to send it back.

Ibanez Dual Digital Reverb

Review | Sound On Sound, Sep 1986

Ibanez are late entrants to the fast-moving field of digital reverb products, but their new SDR 1000 unit has something different about it that caught the eye of reviewer Mark Jenkins. Read the review to find out what...

Triangle Studio

Feature | Topic: Recording Studios | Sound On Sound, Nov 1986

Birmingham's Triangle Media & Arts Centre houses what is probably the largest 8-track recording facility in the country. It also runs some interesting extra-curricula activities in the form of a Rock Recording course. We asked the man in charge, Bruce Hart, to tell us more about it.

The Shape of Things to Come

News | Sound On Sound, Apr 1987

Our regular monthly exploration of upcoming new products.

No Fixxed Abode

Interview | Making Music, Aug 1986

Big in America, big in rehearsal rooms — but why isn't this dead good pop group dead big here?

The Sum of its Parts

Review | Home & Studio Recording, Dec 1986
Roland DEP5

Roland's long-awaited multi-effects unit turns out to have a great deal to offer.

DJ Jazzy Jeff

Group: ChitChat

Interview | Phaze 1, Nov 1988

Audio-Optics QED

Review | Music Technology, Apr 1987
Infra-Red Guitar Pickup

It sounds like sci-fi, but someday, all guitar pickups may work by sensing shadows along the frets with an infrared detector. Rick Davies again.

Lexicon 480L Effects System

Preview | Electronics & Music Maker, Sep 1986

Put two Lexicon 224Xs in one box, add a sprinkling of new features, and you have the reverb-based effects unit to beat them all. Paul Wiffen has the advance details.

dbx SNR1

Review | Music Technology, Jun 1989
Noise Reduction System

There are more sources of noise in a studio than recording tape -and a noise reduction unit ought to be able to cope with all of it, right? Vic Lennard thinks he's found one that does.

Mac Notes

Feature | Topic: Computing | Sound On Sound, Jul 1992

...while Kendall Wrightson reflects on a Mac world...

 

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