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Aria TSB-550, TS-400 | |
Article from One Two Testing, December 1982 |
The parents may be the same, but twin brothers they ain't.
Where the TSB is light and scratchy, the TS six string is low, rumbling and top heavy on bottom... if you see what I mean. It's far denser and bassier than say the Ibanez Blazer, and surprisingly thrummy for a Japanese guitar. The succulent bass reaches even into the coil tapped tail pickup, but there's enough treble to carry lead lines. The TS has a wealth of full blooded force behind it, on occasions too much, and you have to employ the brighter option of the coil tap switch to save your speakers.
If you have to carry a lot of the band sound on your own, then it would be a useful compatriot, but where you need to pick a space between bass and keyboards, or ride out sharply above all of them, then the TS could confuse matters.
Its finish matches the bass in accuracy and neatness, but once again the bridge is a point of doubt. It offers two methods of fixing the string ends — through the back of the body, or clipped into slots behind the stop bar, but both twist the strings through fierce angles, shortening their life and sustain.
The necks do share a certain similarity. The TS is again full, not its fast or thin as some players might like and leaning more towards the Les Paul camp than anywhere else. The frets are neatly fitted, the strings well spaced, the machines smooth and the controls close to hand.
Besides the two tones and one master volume knob are three mini toggle switches — a coil tap for each of the cream and black humbucking pickups, and an out of phase switch. They aren't quick to reach; nor attractively aligned, but they are safe from harm. £193
Guitar Special
Review by Paul Colbert
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