Home -> Magazines -> Issues -> Articles in this issue -> View
Audio Lead Tester Project | |
Lead CheckerArticle from Electronics & Music Maker, March 1984 | |
A simple device to check your leads.

This project is not intended to compete with the more elaborate lead-testing equipment which is available to the industrial user; rather, it is designed to provide a quick and reliable method of detecting damaged or wrongly-wired cables.
Construction has deliberately been kept simple in the hope that those readers who up to now have been spectators only will be persuaded to take up a soldering iron and join the revolution.
The only unusual aspect of this design is the bicoloured LED which is to be found in position B on the panel. LEDs are such a convenient source of coloured light that it is easy to forget that they are diodes, and the bi-colour device exploits this fact by incorporating a red and a green LED into a single package. The two devices are connected in opposite directions so that either the red or green part illuminates, depending on the direction of the current flow, but because of the package design, both colours appear to emanate from the same source. By applying an alternating current, both LEDs light alternately, giving the effect of yellow light.

In this circuit, when a correctly-wired balanced lead is plugged into the lead checker, all three LEDs light up green. If, however, the two signal wires are crossed over at one end, the current flow through the bi-coloured LED is reversed, resulting in a red light being emitted.
An unbalanced lead will short together the ring and screen connections and so LED C will remain extinguished, only A and B being illuminated.

The operation of the lead tester should be apparent from the schematic diagram, where it can be seen that the lead under test is connected such that its two signal wires and screen are joined by means of the LEDs connected to the jack sockets, so that any break in continuity will prevent any of the LEDs from lighting.
When the lead under test is removed from the sockets, the battery is removed from the circuit and so there is no possibility of the unit being left on and flattening the battery. The 330R resistor limits the current through the LEDs to a safe value.
Construction should provide few problems, even for the complete novice. If however, the current circuit does not work first time, the chances are that you have connected one of the LEDs backwards.
LEDs are generally marked by a flat on the body which corresponds to the cathode lead, but in some cases the manufacturer opts for the system of making the cathode lead shorter than the anode lead. This system is fine unless you get a second hand LED where both leads have been cropped to the same length.
If you have any doubt about which way to connect a particular LED, simply connect it to a 9V battery via a 330R (or thereabouts) resistor and make a note of which end has to be made positive in order to coax light out of it. If it won't light either way, then the chances are that it's dead! Don't connect up an LED without a series resistor or it will soon fall into the last category.

So - having bullied you into agreeing to build one, I'd better tell you what it can do for you.
As there are quite a lot of unpleasant things that can happen to a three-conductor cable, I will present the possibilities in the form of a table.
When testing leads, don't forget to bend them and apply a little controlled violence to show up any intermittent fault. The system can be adapted for use with XLR connectors simply by connecting them in parallel with the existing jack sockets.

[Note: the various circuit images are mixed up between this project and the s-trigger project. We have corrected the images in the article.]
BeeBMIDI (Part 1) |
Workbench - Impedance. What is it?! |
Studio Project - Going Direct |
Workbench |
Exclusive Syn-D-Kation - The Syn-D-Kit |
Voice Frequency to Voltage Converter |
How To Make An EGG Mod |
A Low Cost, Special Purpose AR Generator |
Multi-waveform LFO |
Trigger Converter for the Yamaha SPX-90 |
Universal Bass Pedal Synth |
Putting on the Style |
Browse by Topic:
Feature by Paul White
Previous article in this issue:
Next article in this issue:
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!