Home -> Magazines -> Issues -> Articles in this issue -> View
Experimenters Circuits | |
Using The CA3080Article from Polyphony, November/December 1978 | |
The whole secret of the synthesizer is its ability to produce a given result for a given set of voltage inputs. This ability is called voltage control. The question is how do we go about producing voltage control?

There must be as many different ideas on voltage control as there are synthesizers. Some units use Field Effect Transistors (FET) as voltage controlled resistors. The technique is rather simple, but lends itself well to non-critical applications such as phase shifters (see POLYPHONY, Vol. 3, #4) and non-tracking filters. The technique is so simple it bears inclusion here, although this article isn't really intended to discuss FETs.
Note that the control voltage must be negative. This will require a simple inverter on the input. Certainly this is not complete, but will have to do for the time being.

Another approach is the differential amplifier route. We've all seen this in VCAs from various manufacturers:
You'll find that you can't totally fault this approach, either. The differential amplifier is the basis for most of the op-amps available. Grab a Linear Data Book and see! In addition, it has served Bob Moog for many years, being the very heart and soul of his equipment.
The list grows. If you have a PAIA 4710, you know how it may be used as a VCA. You may already be getting ideas about how it may be used in other areas as well.

One company has even made a success of the high-speed, pulse width modulated switch.
This uses a high-frequency oscillator (50K Hz to 100K Hz) and a pulse width modulator. If you think of the switch as always open, the resistance is 100K ohm. If you think the switch is always closed, the resistance is 0 ohm (shorted out). If the switch is on 50% of the time (50% duty cycle) the resistance is 50K ohm, etc., etc., ...
There is one IC available that really suits our purposes to a "T". It is the CA3080 Operational Transconductance Amplifier (OTA for short, thank heavens). Those of you with 4730 filters should recognize it immediately. What you may not recognize is its extreme versatility.
Before we get too heavy into building something, we should know something about how the 3080 behaves. When properly used it can be invaluable. When improperly used it can be a source of terrible distortion.
The following is a pinout diagram of the 3080. Hopefully this will allow you to at least get the pins hooked up right!


Powertran MCS1 - Playing with Time (Part 1) |
Understanding Electronics - How To Make Music Projects |
Technically Speaking (Part 1) |
Building A Bionic Sax |
Workbench - Modifying The Midiverb |
The Layman's Guide to Digital Logic Gates - (in one easy lesson) |
Voltage-Controlled Clock for Analogue Sequencers |
Starting Point (Part 1) |
DIY Direct Inject Box - A high quality DI box circuit |
Sample & Hold Modification - Provides Note Bender |
ICs for Electro-Music (Part 1) |
De-Esser Project |
Browse by Topic:
Feature by Gary Bannister
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!