Home -> Magazines -> Issues -> Articles in this issue -> View
MXR 01a Update | |
Article from Home & Studio Recording, October 1984 |
The new features on offer from the 2.1 version software are: Diffusion, and two new room types described as having "finite impulse response". By using the Page Two select function the Blend, Min Decay and new Diffusion parameters become available to the user and may be changed at will in real time. The Blend function, previously unspecified on the original 01, is displayed in what is normally the Pre-Delay Time window and as the name implies the amount of direct, untreated sound and effected reverb sound can be blended together in varying proportions. Diffusion is displayed in the High Frequency Damping window and offers seven different diffusion characteristics numbered 0 to 6. This diffusion parameter is a little difficult to describe in words though the effect is obvious when heard. Perhaps the simplest explanation is to instill in your mind the idea that the room size you are listening to is produced by a series of complex and closely spaced echoes; what the diffusion control alters is the richness or density of additional lower level reflection detail within the main reflections. In simple terms, it's like adding or removing objects to and from an empty room to change the complexity of the reflections.
The remaining two new features are artificial environments which don't exist in reality: Room Types 8 and 9. Described as Finite Impulse Response, Room 8 is like natural reverberation where the output decreases in level with time, but unlike natural reverb the sound comes to a complete stop when the decay time setting has fully elapsed. This gives the effect of a gated reverb sound so often heard on contemporary drum sounds and produces reverb effects without resulting in an over-cluttered sound.
Room Type 9 is perhaps the most arresting effect and sounds like backwards reverb, starting off quietly and building up to it's maximum level before abruptly stopping. This particular setting can produce some wonderful sound effects and is best utilised on percussive or short duration sounds such as guitars and voice.
It's good to see that MXR have made some small but valuable changes to the names of various front panel functions, several of which were un-named on the original 01. Previously you could have been forgiven for not knowing about the existence of certain features when approaching the unit for the first time, without its instruction manual.
To help identify Page Two functions these parameter names have now been printed in red on the front panel. On the previous MXR 01 the preset memory display window at the far right hand end of the front panel was unnamed. This has now been called Preset, whilst at the far left hand end what was previously called Program is now re-named Room Type. These two name changes have cleared up any confusion between thinking the program selected was in fact a different memory. Dampening is now referred to as High Frequency Dampening, again a more accurate description and the inclusion of the name Min Decay in red print identifies the readout on the decay time window when in the Page Two mode.
All the new features mentioned are available when the 2.1 software is installed in the original 01, except for the Pre-Delay time which is incremented in 20ms steps on the 01a to a maximum of 120ms. Unfortunately, this remains fixed at the original 10ms steps with a maximum of only 90ms pre-delay on the 01. A small concession to pay when you consider the advantages of all the other useful features.
MXR 01a £2182, Remote Control unit £250, software retrofit for 01, £52. All prices include VAT.
Further information from Atlantex Music Ltd, (Contact Details).
News
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!