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On The Beat (Part 35)

Article from Music Technology, December 1992

One of the difficulties of writing rhythm tracks in isolation - ie. without the bass instrument(s) which will ultimately accompany them - is that there's often a tendency to fill all the 'holes'. Whilst working well on their own, patterns tend to sound overblown when placed in the context of a mix.

Though apparently quite busy, this month's example leaves plenty of space for other instruments to flesh out the rhythm - provided the bass and snare drum voices are chosen sympathetically. By this I mean selecting contrasting sounds - dry & light and ambient & heavy - for each pair of instruments.

Outside of this, things remain pretty flexible and your further experimentation will - as ever - bring its own rewards.

Series - "On The Beat"

This is the last part in this series. The first article in this series is:

On The Beat
(MT Aug 89)

All parts in this series:

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 26 | Part 27 | Part 28 | Part 29 | Part 30 | Part 31 | Part 32 | Part 33 | Part 34 | Part 35 (Viewing)

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Big In Vegas

Publisher: Music Technology - Music Maker Publications (UK), Future Publishing.

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Music Technology - Dec 1992

Donated & scanned by: Mike Gorman

Feature by Nigel Lord

Previous article in this issue:

> Stagecoaching

Next article in this issue:

> Big In Vegas

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