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Trigger Converter for the Yamaha SPX-90 | |
Article from Home & Studio Recording, July 1986 |
A simple circuit enabling you to trigger the footswitch input of your SPX-90 from a positive trigger pulse.
Once again, technology has taken precedence over the end user's actual requirements, so when you want to use a simple trigger pulse to initiate one of the SPX-90s many functions, you can't... that is, you couldn't until now.
MIDI is fine for polyphonic systems and makes a lot of sense for the control of monosynths, sequencers or complex drum machines, but when all you need to do is to trigger an event such as a sampled drumbeat, there is still no more practical method than the old trigger pulse. This coupled with the fact that most existing drum machines provide at least one trigger output should make it clear to the designer of any sampling device that a simple trigger input is clearly needed, no matter how many other MIDI marvels it may contain.
Fortunately, the SPX-90 does have a facility for triggering via an optional footswitch but this is configured such that the unit triggers when the switch is opened: a kind of reverse S-trigger action if you like. After minutes of intensive research I came up with the circuit below which will directly convert a trigger pulse such as is provided by Roland equipment into the form required to trigger the SPX-90. Indeed it was tested using the trigger output of a Roland TR707. There is no noticeable delay in the trigger circuit but the SPX-90 itself does take a couple of milliseconds to realise that it's been triggered, the outcome of which is that there is a barely perceptible delay. If you sample a snare drum and then play it back at the same time as the snare drum in your drum machine, you might detect a very short flam effect, but to be fair, the delay in the SPX-90 is a lot less than that found on some other currently available samplers and many users won't even notice it.
"There is no noticeable delay in the trigger circuit but the SPX-90 itself does take a couple of milliseconds to realise that it's been triggered..."
The trigger input from your friendly drum machine is fed into the input with the result that T1 is turned on every time a pulse is received. The collector voltage of T1 then falls far enough to allow T2 to turn off which is the equivalent of the footswitch opening. Once the pulse has ended, T2 again conducts simulating a closed switch. No circuit layout is given; it is such a simple design that all the components could be strung between two jack sockets in a small plastic box or built up on a scrap of Veroboard. T1 and T2 may be virtually any general purpose NPN transistors and D1 any silicon diode, though specific values are given in the parts list. Likewise the type and wattage of the resistors is entirely unimportant. In order to save cost, the battery is switched on automatically whenever a jack is inserted into the input socket, so be sure to unplug the unit when it is not in use.
T1, T2 | BC107 |
D1 | 1N916 |
R1, R2 | 10K |
R3, R4 | 100k |
Stereo Jack Socket | 1 off |
Mono Jack Socket | 1 off |
PP3 battery clip | 1 off |
PP3 battery | 1 off |
Plastic Case | 1 off |
String Attention |
Workbench - Lighting Effects on Stage — Update |
Convert Your Pygmy into an Electro-Larynx |
Gnome Instrument Interface - Using the 2720-11 Envelope Follower |
When Things Go Wrong |
Expanding the Patchability of the Mini-Moog |
Totally Wired - Leads & Wires |
Test Tone Oscillator |
Chip Parade (Part 1) |
Electro-Music Engineer - Tuning Up — A Review of VCO Calibration Methods (Part 1) |
Keyboard Matrix Interface For EK-3 |
Short Circuit - Time Machine Revisited |
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Feature by Paul White
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