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John Cage - 20th Century Americans - John CageInterview | Music Technology, Apr 1993John Cage eavesdropped on the strange noises coming from his own imagination. Geoff Smith and Nicola Walker Smith eavesdrop on the wise words emanating from the man himself, in one of the final interviews of his trailblazing life and the last in MT's exclusive series on modern American composers. | |||
This artist was mentioned in these interviews | |||
Philip Glass - 20th Century Americans - Philip Glass - Part 1Interview Series | Music Technology, Jan 1993Philip Glass: Glazed expression | |||
Steve ReichInterview | Sound On Sound, Sep 1991Despite an outward contempt for technology, Steve Reich has exploited it to create some of the century's seminal works of modern music, and will rely on the latest in digital electronics for his current project. Mark J. Prendergast tries to make sense of it all. | |||
Harold Budd - 20th Century Americans - Harold Budd - Part 2Interview Series | Music Technology, Feb 1993Harold Budd - The incredible lightness of being | |||
Can - Can - The Right TimeInterview | Music Technology, Nov 1989In the '70s, Can paved the way for a generation of experimental electronic musicians. Simon Trask talks to Holger Czukay and Michael Karoli amidst the CD rerelease of their entire back-catalogue and a new LP for '89. | |||
Tom NewmanInterview | Sound On Sound, Mar 1987Tubular Bells, Bayou Moon and other storiesApart from his claim to fame as the co-producer of Mike Oldfield's hugely successful 'Tubular Bells' album, engineer/producer Tom Newman has most recently been making his mark in the New Age music field with two beautifully recorded albums. Mark Prendergast reports. | |||
Bernard Xolotl on Synclavier II and MusicInterview | Electronics & Music Maker, Mar 1983This French-born synthesist describes his experiences with the Synclavier and other digital instruments | |||
GlassworksInterview | Electronics & Music Maker, Dec 1983Fashionably minimalistic, America's premier avant garde composer recently visited the UK for an all too brief concert tour. He has been cited by many international stars as one of their first influences, yet commercial success has eluded him. Dan Goldstein listens to what he has to say | |||
Ryuichi SakamotoInterview | Sound On Sound, Sep 1990Japanese Artist: World MusicianDespite the cult following for Yellow Magic Orchestra, collaborations with David Byrne on the Oscar-winning soundtrack to 'The Last Emperor', and a long-standing musical friendship with David Sylvian, the multi-faceted talents of Ryuichi Sakamoto are still not widely appreciated. Mark J. Prendergast attempts to rectify the situation... | |||
Bill NelsonInterview | Sound On Sound, Mar 1991A Musical LuminaryBill Nelson remains largely unheard of by the record-buying public, yet his influence on modern musicians has been considerable. Nigel Humberstone visits him at his home studio in Yorkshire. | |||
Philip GlassInterview | Sound On Sound, Nov 1991The Making Of A New Music SupremoPhilip Glass is the best known, and certainly the best paid, contemporary new music composer. In London for performances of his music for the films Koyaanisqatsi and Powaqqatsi, he talked to Mark J. Prendergast. | |||
Mass HysteriaInterview | Electronics & Music Maker, Jul 1984The Human League are still one of the world's most successful synth bands, but their new album was a long time coming, and they've stuck guitars all over it. The League's Ian Burden explains why. | |||
The Composer's ContractInterview | Electronics & Music Maker, Oct 1985An ex-music critic turns prolific avant garde composer and finds himself in demand from the Time Out fraternity. Dan Goldstein talks to the man everyone calls a systems music composer—wrongly. | |||
AestheticsInterview | One Two Testing, Jul 1985too good a piano player and not a good enough guitarist | |||
Andrew Poppy - Pop Goes MinimalInterview | Music Technology, Aug 1987A successful composer of minimal music or would-be writer of pop instrumentals? Tim Goodyer isn't sure so he challenges the man himself for the answers. | |||
Brian Eno - Eno SenseInterview | Music Technology, Feb 1988His successful production of U2 has brought musical sage Brian Eno back into the public eye. John Diliberto finds out what's become of his oblique strategies and how he approaches the latest technology. | |||
David Cunningham - The Lizard KingInterview | Electronic Soundmaker, Nov 1984At home in the ice-house with Flying Lizard David Cunningham. | |||
Harold Budd - The Sound-Painted World of Harold BuddInterview | Sound On Sound, Dec 1986The Eno collaborator and leading exponent of American minimalist music, Harold Budd, discloses the fascinating background to his new solo album 'Lovely Thunder', his love of the piano and his strange union with the Cocteau Twins. Mark Prendergast attends the masterclass and takes notes. | |||
Harold Budd - The Serpent and the PearlInterview | Electronics & Music Maker, Jul 1986Don Goldstein talks to American composer Harold Budd about his past collaborations with such luminaries as Brian Eno and Michael Nyman and, more recently, the Cocteau Twins. | |||
Mark Isham - Blowing Technology's HornInterview | Sound On Sound, Nov 1988Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers. | |||
Pascal Gabriel - Made in HeavenInterview | Music Technology, May 1989After producing artists ranging from Bomb the Bass and S 'Xpress to Bryan Ferry and Wet Wet Wet, Pascal Gabriel is about to begin his own career as a recording artist. Tim Goodyer discovers a Lovechild. | |||
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