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Interview | Sound On Sound, Mar 1988
A man continually in search of magic moments in the perfect quality of music.
He's played guitar with the best - David Bowie, Peter Gabriel, David Sylvian, Talking Heads, Brian Eno and, of course, King Crimson - and he's also worked away from the public eye, pursuing truths other than the rock and roll life. Mark Prendergast discovers that Robert Fripp's insights are of interest to more than just guitarists.
Interview | International Musician, Jun 1975
Interview | Sound On Sound, Dec 1993
Robert Fripp Lays Bare His Legendary Effects Rack
A rare interview with this virtuoso King Crimson guitarist and much admired 'guest soloist'.
We found these other (non-interview) articles that are linked to this artist:-
News | Making Music, Nov 1986
This artist was mentioned in these other (non-interview) articles:-
History of Electronic Music - Part 7
Feature | Topic: History / Culture | Electronics & Music Maker, Sep 1982
Feature | Sound On Sound, Apr 1989
Mark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s.
Feature | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker, Mar 1985
Record label spotlight on the innovatory people who bring you Brian Eno and numerous others.
Feature | Topic: Music Theory | Electronics & Music Maker, Mar 1982
Ben Duncan presents philosophies on the effects of music.
News | Making Music, Nov 1986
Editorial | Music Technology, Nov 1989
The non-musician has taken a lot of stick from his educated counterparts, yet he's contributed a lot to musical progress. What separates musicians and non-musicians?
Roland D-50 - Part 1
Review | Sound On Sound, May 1987
Is the future Linear?
Does Roland's new LA synthesizer mean the end of FM is in sight? Martin Russ falls in love with the world's first ever Linear Arithmetic synthesizer whilst trying to find out...
Review | Sound On Sound, Feb 1986
Dynacord MIDI Amplifier
The marriage of valve and MIDI technology in Dynacord's Reference 500 guitar amplifier results in an astonishingly good design as Ian Gilby discovered.
A History of Electronic Music - Part 6
Feature | Topic: History / Culture | Electronics & Music Maker, Jun 1982
Into the Seventies
Feature | Topic: Home Studio | Home & Studio Recording, Jan 1984
Feature | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982
Richard Mitchell explains his use of electronic music for film.
Feature | Topic: Live | Electronics & Music Maker, Feb 1982
Review | Home & Studio Recording, Aug 1984
Feature | Topic: Effects Processing | Sound On Sound, Jun 1989
The more imagination you apply to signal processors, the more you can get out of them. Craig Anderton presents 49 tips that take you beyond stock effects and into new ways of creating your own sonic signature.
Feature | Topic: Home Studio, Recording | One Two Testing, Jan 1983
Home recording heroes.
Review | Music UK, Dec 1982
Yes, we can READ too! And to prove it
Music Review | Electronics & Music Maker, Aug 1983
Feature | Topic: Recording Studios | International Musician, Aug 1975
Feature | Topic: Live, Performing | Making Music, Aug 1986
Should you do it? Can you legally do it? Have you got the right sort of songs to do it?
Review | Electronics & Music Maker, Jul 1984
Just when you thought all DDLs were the same, Ibanez come up with a budget model that still manages to incorporate a maximum delay time of over three-and-a-half seconds. Review by Paul White.
Index | The Mix, Jul 1994
On this month’s re:mix mixed-mode CD...
This month's CD deconstructed