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Interview | Electronics & Music Maker, Nov 1981
With Richard Burgess And John Walters
Richard Burgess and John Walters talk about the make-up of Landscape.
Interview | Music UK, Aug 1982
The future looks like this
Interview | Sound International, Aug 1978
The Rhythm Section
Landscape's bassist and drummer recount their reasons for choosing to form their own label to Ralph Denyer.
This artist was mentioned in these other (non-interview) articles:-
Feature | Sound On Sound, Apr 1989
Mark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s.
News | The Mix, Aug 1994
History of Electronic Music - Part 7
Feature | Topic: History / Culture | Electronics & Music Maker, Sep 1982
Feature | Sound On Sound, Jan 1986
Paul Gilby outlines JVC's AV Graphic Synthesizer which has some rather novel ways of representing music in a visual sense.
Feature | Topic: Home Studio | International Musician, May 1986
Tony Reed chats to Chris and Cosey, a duo who've taken the DIY ethic further than most
Feature | Topic: Design, Development & Manufacture | Music Technology, Nov 1986
New technology has already brought the music industries of East and West closer together, but how has that affected the music itself, and what will happen as the two cultures get closer still? Gary Larson gives his viewpoint.
Show Report | Music Technology, Apr 1988
Frankfurt Musik Messe 1988
It's that time of year when the music fraternity descend on a frozen Frankfurt. Tim Goodyer and Simon Trask check out new gear, new ideas and tired feet.
Feature | Electronics & Music Maker, Nov 1982
John Walters, Tom Bailey and Frank Tovey
Review | Micro Music, Jan 1990
We look at internal sampling packages for all the top micros in this definitive round up
Feature | Topic: Recording Studios | Sound On Sound, Sep 1989
Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex.
Feature | Electronics & Music Maker, Mar 1983
Richard Burgess, Roland Orzabal and David Lloyd
Feature | Topic: Sampling | Making Music, Aug 1986
Sampling is the subject this time: we turn the technical phrases into real language.
Review | Music Technology, Nov 1989
Aimed at the professional scorewriter, this scorewriting program for the Atari ST goes a long way towards making complex scores easy to handle. Ian Waugh goes public.
Recording Techniques - Part 15
Feature | Topic: Mixing, Recording | Sound On Sound, Feb 1991
The Mix (1)
Part 15. David Mellor looks at how to create the perfect mix.
Feature | Topic: Performing, Video / Film / Picture | Music Technology, Feb 1987
From Canada comes Mandala, the first instrument capable of translating video images into MIDI data - and vice versa. Jim Burgess points some pretty pictures and assesses the implications.
Feature | Topic: MIDI, Video / Film / Picture | Music Technology, Dec 1993
Two ways to control video images using the existing musical interface.
Review | Music Technology, Jan 1991
Having pioneered the Micro Composer in the '70s, Roland reaffirm the position of the hardware sequencer in 1990 with the MC50. Simon Trask is fatally attracted.
Questionnaire Results - Part 2
Feature | Topic: Computing | Electronics & Music Maker, May 1984
Readers' replies to the second half of our survey, analysed by David Ellis.
Feature | Topic: Video / Film / Picture | Music Technology, Jan 1991
One of the stars of Channel 4's Fourmations, Brian Johnson's Improvisions combine musical performance with real-time manipulation of video images. Peter Ridsdale trips on this.
News | The Mix, Jul 1994
Review | Music Technology, Feb 1992
Software for Archimedes
If you're looking for computer scorewriting, Rhapsody could be what you need - as well as helping to save the Archimedes from musical oblivion. Ian Waugh gets to know Clare and Archie.
News | Sound International, Jun 1978