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The The - Almost BlueInterview | The Mix, Mar 1995The The's Matt Johnson talks about production, outwitting the lawyers... and hillbilly blues | |||
This artist was mentioned in these interviews | |||
ElectronicInterview | Sound On Sound, Oct 1991Feel Every BeatAre Electronic, mutant offspring of New Order, The Smiths and the Pet Shop Boys, the first electro-supergroup? Does it matter? Mark J. Prendergast ignores the hype, sidesteps trivial speculation, and talks technical to Bernard Sumner. | |||
808 State - The State of TechnologyInterview | Music Technology, Nov 1989England's North has consistently produced some of the most innovative electronic music. Simon Trask talks to a band set to take their place alongside New Order and Heaven 17. | |||
Rebel YellInterview | Sound On Sound, Apr 1993 | |||
A Room Of My Own: Nort & Epichead StudioInterview | Topic: Home Studio | Sound On Sound, Apr 1993 | |||
Soul FarmersInterview Audio | The Mix, Apr 1995BeatfarmThe boys from Beatfarm Studios talk business, production, and new jazz funk | |||
The Traditional ApproachInterview | Topic: Recording | Home & Studio Recording, Nov 1986Dave Hutchins compares the traditional and modern methods of recording. | |||
The Sensual World of Kate BushInterview | Sound On Sound, Apr 1990Recording engineer Del Palmer has worked with Kate Bush for almost 13 years. Here he provides an insight into how this innovative lady works in the studio and the background to the recording of her hugely successful album, 'The Sensual World'. | |||
Stateside ManoeuvresInterview | International Musician, Feb 1986The two man band out manoeuvring in the USA put Tony Mills in the picture | |||
Jon HassellInterview | Sound On Sound, Jul 1991Jon Hassell has been at the leading edge of new music for three decades, with major contributions to western avant garde and world music. Following the re-release of two classic albums from the early '80s, Mark J. Prendergast presents a retrospective of Hassell's work. | |||
Philip GlassInterview | Sound On Sound, Nov 1991The Making Of A New Music SupremoPhilip Glass is the best known, and certainly the best paid, contemporary new music composer. In London for performances of his music for the films Koyaanisqatsi and Powaqqatsi, he talked to Mark J. Prendergast. | |||
Dream SequenceInterview | Music Technology, Nov 1993The original ambient funsters have a new studio album all but ready, a live album on the way and a major recording deal in the offing. Jonathan Miller encounters Dr Alex Paterson and Thrash on the verge of a higher plane... | |||
Portcard from the EdgeInterview | Music Technology, Jan 1994Chris Craig interviewBruce Hepton trips the light fantastic with The Orb's visuals, man | |||
The Desktop RemixInterview Audio | The Mix, Jul 1994Tracking the progress of a DIY mix that went official | |||
Front 242 - Front LineInterview | Music Technology, Jun 1989Belgian sampling innovators Front 242 have been accused of encouraging a fascist following - where does the sampling stop and the politics begin? David Bradwell brings news from the front. | |||
Stakker - Sound And VisionInterview | Music Technology, Mar 1990The new videola music and video format is taking music video into the next decade. T-Cut K talks to one of the genre's most technology-conscious acts about the medium and the message. | |||
Tears for Fears - Tears For FearsInterview | Music Technology, Jun 1990After spending four years recording The Seeds of Love, Tears for Fears are back and touring the world. Curt Smith and Roland Orzabal talk tears and technology with Dan Rue and Tim Goodyer. |
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