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Kawai K1 SynthesizerReview | Sound On Sound, Jun 1988Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, May 1986More from the world of pine cladding and deep-pile carpet |
Soundcraft Spirit StudioReview | Music Technology, Jun 1991Mixing DeskAs more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury. |
The Shape of Things to ComeNews | Sound On Sound, Jul 1988A chance to check out some of the forthcoming new products that might force you to dig deeper into your pockets later this year. |
SmokeNews | Making Music, Aug 1986'Ere, did you know that old wossisname is doing so-and-so with a wotchermaccallit. |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Spectrum SynthesisReview | Sound On Sound, Sep 1988On the Emax Hard Disk SamplerUnlike some samplers, Emax has stayed the course since its introduction over 18 months ago and has developed into a mature, well groomed specimen. Having released a Hard Disk version of the machine almost a year ago, Emu Systems have recently given Emax yet another lease of life with their Spectrum Synthesis upgrade, which turns the sampler into a powerful additive synthesizer. David Hughes tries it out |
SticksFeature | Making Music, Sep 1986More than delicately wrought slivers of hand tooled timber, they are the drummer's er, thing. |
CommentEditorial | Music Technology, Oct 1992 |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
Shape of Things to Come - AESShow Report | Sound On Sound, Dec 1988AES Show ReportForthcoming new products from the hi-tech music recording field. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Sep 1984Mike Drane informs us of his clandestine bedroom activities! |
Recording Techniques - Part 8Feature Series | Topic: Recording | Sound On Sound, Jul 1990Recording DrumsPart 8: David Mellor explains several techniques for taming that most difficult of instruments to record - the drum kit. |
The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
New AfricaFeature | Topic: History / Culture | Phaze 1, Apr 1989if your music feels lacklustre, dabble in dance rhythms from the dark continent |
Ashly Noise Gate SC-33Review | Home & Studio Recording, Nov 1984 |
Dear Santa...Feature | Sound On Sound, Jan 1991To help you get into the festive mood, we asked a few artists and producers, and a handful of our regular contributors, what they'd like for christmas this year... In a hi-tech music kind of way. Paul Tingen collected the wish-lists. |
Gating TechniquesFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Dec 1984'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications. |
Sounding OffOpinion | Sound On Sound, Jun 1991Confessions Of A Home RecordistConfessions of a home recordist. Stephen Bennett on the delights and dangers of bedroom recording. |
Photographing Sound - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1985The Art of SamplingPart 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler. |
Dynacord DRP16 Digital ReverbReview | Home & Studio Recording, Dec 1984 |
Music & Pictures - Part 5Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Apr 1986Getting StartedThis month film music composer Robin Lumley discloses his own route to fame and fortune in an effort to get you started on yours... |
Hard TimesFeature | Topic: Music Theory | Making Music, Jan 19877/4There is life outside of 4/4. We dissect those funny times like five and seven and quarter past four on a Thursday. |
ScannersNews | Music Technology, Mar 1994As close to the cutting edge as you can get without needing stitches... |