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Interviews

Studiomaster MOSFET 1000

Review | Home & Studio Recording, Aug 1985

Ben Duncan gives this power amplifier a thorough going over before telling you that he quite likes it.

Kawai K1 Visual Editors

Review | Music Technology, Mar 1989
Software for the Atari ST

Coupled with its success, the digital parameter access-editing of Kawai's K1 synthesiser has made it an obvious target for software editors - like these from Dr Ts, Soundbits, Drumware and Steinberg. Vic Lennard looks on.

Hamer Phantom Guitar

Review | International Musician, Dec 1985
Guitarcheck

A dream come true? Dave Burrluck pinches himself

More Fun in the Waves - Part 2

Feature Series | Topic: Sampling, Synthesis & Sound Design | Music Technology, Oct 1988

Following last month's explanation of computer-generated waveforms and their uses, we look at strings of waveforms working together to build complex sounds. Tom McLaughlin investigates wavetables.

Unnatural Axe II - Part 2

Feature Series | Topic: Tuition / Technique | Making Music, Nov 1987

Tascam Porta 05

Review | Music Technology, Jan 1988
Personal Multitracker

The intrepid Nicholas Rowland continues his search for the ultimate in personal multitrackers; armed only with a blank cassette and a bedroom's worth of gear, he tackles Tascam's latest budget baby.

Akai XR10

Review | Music Technology, Jun 1990

Akai's latest drum machine attempts to combine the best of programmable and preset rhythm units. Simon Trask assesses this marketing strategy while listening to some dope drum sounds.

Hardware Overload

Show Report | Electronics & Music Maker, Mar 1985
The Good, The Bad and The Ugly at Frankfurt's Musical Fiesta

Five pages of glorious colour on the exhibition to end all exhibitions - the annual Frankfurt Musik Messe. Dan Goldstein comes hotfoot from Germany to report on the latest developments on the hi-tech music scene. And there are a lot of them.

Guitar Guru

Feature | Making Music, Feb 1987

More of your unfeasibly weird secondhand bargains valued and judged by Paul Day.

Ibanez DM1100 Digital Delay

Review | Electronics & Music Maker, Jul 1984

Just when you thought all DDLs were the same, Ibanez come up with a budget model that still manages to incorporate a maximum delay time of over three-and-a-half seconds. Review by Paul White.

Value valves

Review | The Mix, May 1995
TL Audio Dual Valve Mic Preamp

Give your signals a warm start in life

Retro Rocker

Review | Sound On Sound, Aug 1993
Marantz PMD740 Cassette 4-Track

Can this stylish-looking cassette multitracker find a niche in an already crowded market? Check out our review...

Epiphone Emperor Guitar

Review | Phaze 1, Jun 1989

Studio By Design

Feature | Topic: Recording Studios | Music Technology, Feb 1988
Orinoco Studio

Another studio receives a visit from a roving MT reporter. This time the intrepid Dan Goldstein drops in on South East London's Orinoco Studios.

Short takes

News | The Mix, Jun 1995

The Mix's terrestrial bulletin board

Westone & Aria Basses

Review | Making Music, Sep 1986
Aria Straycat bass / Westone Pantera bass

Vintage Classics

Feature | Topic: Vintage Instruments | Sound On Sound, Feb 1986

Virtually every synth and keyboard made has passed through the hands of Keyboard Hire's Alexander Skeaping at some point in time, so we sent David Etheridge along to tap his thoughts on the subject of buying secondhand keyboards.

Monitoring

Feature | Topic: Acoustics, Mixing, Recording | Sound On Sound, Oct 1993
Sound Workshop

Hohner Harmonica Pickup Systems

Review | Electronics & Music Maker, Oct 1983

Distorting - The Truth

Feature | Topic: Effects Processing | Making Music, Mar 1987

Why MIDI Music Stinks

Feature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1992
(Sometimes)

Just as MIDI has made it as easier to produce great music, so it has facilitated the production of worthless garbage. Paul D. Lehrman explains the problem and how to avoid it.

Axxess MIDI Mapper 2.0

Review | Music Technology, May 1988
MIDI Processor

This American MIDI processor is possibly the most sophisticated processor currently on the market. Matt Isaacson tries out its bewildering array of facilities.

Sequential Circuits Six Trak Polysynth

Review | Electronics & Music Maker, Mar 1984

This exciting six voice polyphonic synth comes under scrutiny.

Jean-Michel Jarre - Record Review: Jean-Michel Jarre

Music Review | Electronics & Music Maker, Jun 1982
An analysis of The Concerts in China double album on Polydor PODV3

Korg SQ8

Review | Music Technology, May 1987
Eight-track MIDI Sequencer

MT new boy Bob "I'm Confused" O'Donnell checks out the cutest eight-track sequencer available. Have too many corners been cut to reduce the cost?

 

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