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Yamaha DD11Review | Music Technology, Nov 1990Digital DrumsIntriguing cries of "hit me" from the recording studio have been traced to Yamaha's new DD11 percussion controller. Simon Trask asks, can it be beaten? |
Maya 8052, 8009Review | One Two Testing, Dec 1982 |
Electronic Percussion ChecklistFeature | Topic: Buyer's Guide | Electronics & Music Maker, Jul 1985This month’s Checklist turns its attention to the world of electronic drum kits and drum machines. Price guides will never be the same again. |
Fireball CX5MReview | Electronic Soundmaker, Oct 1984The CX5M music computer could change the face of the home micro-music market. We examine the first dedicated music computer to reach the UK |
Understanding the DX7 - Part 6Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1984Our guide to Yamaha FM synthesis continues: this month, Jay Chapman looks at the delights of sub-algorithms. |
Build a Quad Sequential SwitchFeature | Topic: Electronics / Build | Polyphony, Jan/Feb 1981 |
Professional ExcellenceReview | Sound On Sound, Jun 1992Korg 01/W Pro and Pro X WorkstationsThe latest keyboards in the Korg dynasty offer a little more than remade and remodelled technology. Julian Colbeck experiences Korg's sonic edge. |
Night flight to the oasisFeature | Topic: Live | The Mix, Jan 1995Engineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording |
Time ExposureFeature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them. |
Lesser Known Facts About The Common C-ducerFeature | Topic: Microphones, Recording | Home & Studio Recording, Sep 1984Miking applications for this novel transducer that will turn your electric bass 'acoustic'! |
Analogue Equipment Design - Part 1Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Dec 1985for Rock 'n' RollBen Duncan looks at the design philosophy behind a modern power amplifier. If you don't understand it just be seen reading it and it will improve your credibility. |
Patching UpReview | Sound On Sound, Jul 1986Akai MIDI Programmable PatchbayIan Gilby reckons that before long every studio will have a MIDI patchbay as well as an audio one and the low-cost ME30P Programmable MIDI Patchbay from Akai could well be it. |
Start of the ARTReview | Sound On Sound, Mar 1990Multiverb II Multiverb EXTDave Lockwood casts his eye over this brace of MIDI controllable multi-effects processors from ART. |
GMT Status Bass Series 2000Review | International Musician, Jul 1985BasscheckHot, headless and state of the art |
The Art of Going Soft - Part 3Feature Series | Topic: Computing | Electronics & Music Maker, Jul 1985The Music 500 receives an AMPLE voicing and sequencing program to tempt junior programmers into getting their feet wet. |
Quick, Quick, SlowFeature | Topic: MIDI | Music Technology, Jun 1987Much has been said on the subject of MIDI delays, but so far the truth has been difficult to uncover beneath a flurry of rumour and debate. Chris Meyer gives us the lowdown. |
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