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Interviews

Yamaha DD11

Review | Music Technology, Nov 1990
Digital Drums

Intriguing cries of "hit me" from the recording studio have been traced to Yamaha's new DD11 percussion controller. Simon Trask asks, can it be beaten?

Maya 8052, 8009

Review | One Two Testing, Dec 1982

Electronic Percussion Checklist

Feature | Topic: Buyer's Guide | Electronics & Music Maker, Jul 1985

This month’s Checklist turns its attention to the world of electronic drum kits and drum machines. Price guides will never be the same again.

Guitar Guru

Feature | Making Music, May 1987

eclectic electrics

Fireball CX5M

Review | Electronic Soundmaker, Oct 1984

The CX5M music computer could change the face of the home micro-music market. We examine the first dedicated music computer to reach the UK

Understanding the DX7 - Part 6

Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Sep 1984

Our guide to Yamaha FM synthesis continues: this month, Jay Chapman looks at the delights of sub-algorithms.

Incoming Data

News | Music Technology, Sep 1992

Newsdesk as was - news as is

Build a Quad Sequential Switch

Feature | Topic: Electronics / Build | Polyphony, Jan/Feb 1981

Professional Excellence

Review | Sound On Sound, Jun 1992
Korg 01/W Pro and Pro X Workstations

The latest keyboards in the Korg dynasty offer a little more than remade and remodelled technology. Julian Colbeck experiences Korg's sonic edge.

Night flight to the oasis

Feature | Topic: Live | The Mix, Jan 1995

Engineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording

Time Exposure

Feature | Topic: MIDI, Syncronisation | Music Technology, Jun 1989

Quietly but surely, synchronisation codes have become an essential part of MIDI recording, but what's all this SMPTE and FSK stuff really about? Chris Many looks at the different sync codes and why we need them.

Lesser Known Facts About The Common C-ducer

Feature | Topic: Microphones, Recording | Home & Studio Recording, Sep 1984

Miking applications for this novel transducer that will turn your electric bass 'acoustic'!

Analogue Equipment Design - Part 1

Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Dec 1985
for Rock 'n' Roll

Ben Duncan looks at the design philosophy behind a modern power amplifier. If you don't understand it just be seen reading it and it will improve your credibility.

Patching Up

Review | Sound On Sound, Jul 1986
Akai MIDI Programmable Patchbay

Ian Gilby reckons that before long every studio will have a MIDI patchbay as well as an audio one and the low-cost ME30P Programmable MIDI Patchbay from Akai could well be it.

Start of the ART

Review | Sound On Sound, Mar 1990
Multiverb II Multiverb EXT

Dave Lockwood casts his eye over this brace of MIDI controllable multi-effects processors from ART.

GMT Status Bass Series 2000

Review | International Musician, Jul 1985
Basscheck

Hot, headless and state of the art

MTU Instrument Synthesis

Review Audio | Electronics & Music Maker, Aug 1981
Software Package

The Art of Going Soft - Part 3

Feature Series | Topic: Computing | Electronics & Music Maker, Jul 1985

The Music 500 receives an AMPLE voicing and sequencing program to tempt junior programmers into getting their feet wet.

Quick, Quick, Slow

Feature | Topic: MIDI | Music Technology, Jun 1987

Much has been said on the subject of MIDI delays, but so far the truth has been difficult to uncover beneath a flurry of rumour and debate. Chris Meyer gives us the lowdown.

Cutec DE2310

Review | Home & Studio Recording, Apr 1985
Twin Function Equaliser

 

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