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Allen & Heath Brenell Eight Track Package - Mod II Mixer - Part 1Review Series | Sound International, Jan 1979EquipmentAllen and Heath/Brenell release one of their beautiful Mod II mixers into the grateful clutches of Mel Lambert, who lets you know warrisallabout. |
Rickenbacker 250 El DoradoReview | International Musician, Jan 1985GuitarcheckDave Burrluck is your chiming man |
Studio By DesignFeature | Topic: Recording Studios | Music Technology, Feb 1988Orinoco StudioAnother studio receives a visit from a roving MT reporter. This time the intrepid Dan Goldstein drops in on South East London's Orinoco Studios. |
Vintage ClassicsFeature | Topic: Vintage Instruments | Sound On Sound, Feb 1986Virtually every synth and keyboard made has passed through the hands of Keyboard Hire's Alexander Skeaping at some point in time, so we sent David Etheridge along to tap his thoughts on the subject of buying secondhand keyboards. |
Why MIDI Music StinksFeature | Topic: MIDI, Sequencing | Sound On Sound, Apr 1992(Sometimes)Just as MIDI has made it as easier to produce great music, so it has facilitated the production of worthless garbage. Paul D. Lehrman explains the problem and how to avoid it. |
Axxess MIDI Mapper 2.0Review | Music Technology, May 1988MIDI ProcessorThis American MIDI processor is possibly the most sophisticated processor currently on the market. Matt Isaacson tries out its bewildering array of facilities. |
Sequential Circuits Six Trak PolysynthReview | Electronics & Music Maker, Mar 1984This exciting six voice polyphonic synth comes under scrutiny. |
Hohner Harmonica Pickup SystemsReview | Electronics & Music Maker, Oct 1983 |
Distorting - The TruthFeature | Topic: Effects Processing | Making Music, Mar 1987 |
Electromusic Research MIDI Software and HardwareReview | Electronics & Music Maker, Aug 1984for the BBC MicroThe first commercially-developed MIDI software for the BBC Micro is now being manufactured by Electromusic Research. David Ellis analyses its potential. |
Sequential Circuits DrumtraksReview | Electronics & Music Maker, Mar 1984 |
Daniel LanoisFeature | Sound On Sound, Feb 1990Visions of ArcadiaVia engineering and production work with Brian Eno, Peter Gabriel, Robbie Robertson and U2, Daniel Lanois has unmistakenly imprinted his personality on the sound of the Eighties. Recently he released his own solo album, ‘Acadie’; Mark J. Prendergast runs through the tracks. |
Designs On The FutureShow Report | Topic: Design, Development & Manufacture, Marketing / Promotion, Multimedia / Graphics / Visuals | Sound On Sound, Nov 1993Roland Desk Top Media Press Conference |
Pearl Export EX22 D 50Review | International Musician, Mar 1985DrumcheckBob Henrit draws a line between the Maxwin and the Professional and finds a good-looking, clean-sounding kit |
Blue Eyed PopFeature | Topic: Marketing / Promotion, Performing | Phaze 1, Nov 1988The Weird and Wonderful World of The Blue Eyed Boysdo you really want to be the next bros? |
Yamaha SE200 and SE300Review | International Musician, Mar 1985GuitarcheckDo we really need more Strat copies? Dave Burrluck ponders the question |
Anvil Percussion SynthesiserReview | Electronics & Music Maker, Jun 1985An all-British sound-sampling and drum-synthesising MIDI percussion machine with built-in sequencer gets an exclusive preview courtesy of David Ellis - there's even comment from the designers. |
Guitar GuruFeature | Making Music, Nov 1986Oldies identified: Epiphone, Ibanez, Fender, Eros, Radiotone, Hofner, Rickenbacker, Excetro and Fasan. |
A Producer's LifeFeature | Topic: Music Business | One Two Testing, Nov 1985Then After A Few Years I Think I'll Be A Producermaking a career of knob twiddling |
Hot House FlowersShow Report | Music Technology, Oct 1990BMF REPORTThe excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out. |