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Interviews

Plasmec Systems ADAS

Review | Music Technology, Nov 1991
Hard Disk Recording System

Direct-to-disk digital recording comes of age on the Atari ST computer. Vic Lennard checks out the system which may change your life.

KMD's 100 Watt Combo

Review | In Tune, May 1986

Inside the Synclavier - Part 3

Feature Series Audio | Topic: Digital Audio Workstations | Sound On Sound, Aug 1989

PART 3: What is it like to sit down at the Synclavier - the world's most expensive instrument - and create a piece of music? David Mellor finds out and tells the whole story.

Shazam - A Software Keyboard Operating System

Feature | Topic: Computing | Polyphony, Nov/Dec 1978
(or "Maestro, a little software, please")

Masters Of The Universe

Feature | Topic: Mastering, Tape, Vinyl, CD, DAT | Sound On Sound, Dec 1991

So you wanna record an album? Anyone with a DAT recorder can make what they think is a usable master tape, but it takes a little know-how to do it properly. Mastering engineers Mike Brown and Martin Giles of CTS Studios explain what goes into preparing master tapes for tape, record and CD duplication.

Brother PDC100 Pro Disk Composer

Review | Music Technology, Feb 1992
MIDI Sequencer

Conflict between hardware and software sequencing intensifies - can dedicated sequencers still compete with the flexibility of a computer? Simon Trask experiences Brotherly love.

Using Timecodes - Part 1

Feature Series | Topic: Syncronisation | Sound On Sound, Feb 1986
An Introduction To Timecode Synchronisation

The release of the new Fostex synchronisers reinforces the importance of timecode in today's recording process. So, to help you familiarise yourself with their applications, Francis Rumsey begins a new series that should tell you all you need to know about timecodes.

Time To Get In-Sync

Review | Sound On Sound, May 1986
Fostex Synchroniser & Sync Controller

Having familiarised you hopefully with the jargon and workings of synchronisers through his 'Using Timecodes' series, Francis Rumsey now turns his critical eye to the most affordable synchroniser/controller set-up available: the Model 4030/4035 from Fostex.

Frankfurt Paydirt

Show Report | Music Technology, May 1992

The annual pilgrimage to Europe's largest music fair is over for another year. Vic Lennard brings hot news of the latest hi-tech developments, innovations, launches, lunches...

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Jun 1992
Hints, Tips & News From The World Of Music Software

More hints and tips from the software publishers themselves. This month: C-Lab; Steinberg; Dr. T's.

U Got The Look

Review | Sound On Sound, Aug 1989
Roland U20 Keyboard

Is the U20 just a revamped U110 with a keyboard or does it have what it takes to de-throne the Korg M1? Paul Ireson finds out.

Steinberg Software Page

Feature | Topic: Computing, Sequencing, Syncronisation | Sound On Sound, Jul 1988

The third instalment of our column devoted entirely to Steinberg software. Written and compiled exclusively for SOS by Steinberg's experts, it deals this month with MIDI clocks and how to keep time!

Kawai K5 and K5m

Review | Music Technology, Aug 1987
Multi-Dimensional Synthesisers

Expanding the "user waveform"approach of their K3 to almost full additive waveform proportions has given Kawai what they call a "multi-dimensional" synthesiser. Bob O'Donnell likes what he hears.

Recording Techniques - Part 9

Feature Series | Topic: Recording | Sound On Sound, Aug 1990
Recording Vocals

Part 9: The human voice is the most difficult instrument to record, bar none. David Mellor offers some practical guidance.

Nomad SMC

Review | Music Technology, Aug 1987
MIDI-SMPTE Converter

As the price of SMPTE synchronising devices continues to fall, more and more home studios will be availed of their sophistication. Simon Trask checks out the latest breakthrough to find out it's not only cheap but British.

Frankfurt Review - This Year's Models

Show Report | International Musician, Apr 1985

A glimpse of the equipment you could well be buying in the forthcoming year

Peavey SP Sample Playback Synthesiser

Review | Music Technology, Aug 1992

Sampling bit by bit.

Sequencers Have Feelings Too

Feature | Topic: Sequencing | Sound On Sound, Aug 1992

Your sequencer could be having more of an effect on your music than your synths do. Wilf Smarties wonders whether you should be giving your MC50 a co-writing credit...

Dr. T's Beyond

Review | Sound On Sound, Oct 1990
Mac Sequencer

Sequencing software for the Macintosh has tended to be be either high-spec and highly priced, or entry-level budget ware. Have Dr. T found a happy medium with Beyond? Matthew Newman investigates.

Mastering For Duplication

Feature | Topic: Mastering | Recording Musician, Feb 1993

Mike Skeet reveals everything you need to know to get your final master tape ready for mass duplication.

J.L. Cooper MixMate

Review | Sound On Sound, Oct 1988
8-Track Automation System

When you run out of fingers and you find yourself pushing faders up and down with your nose during a mix, then it's time to get a helping hand. Master craftsman David Mellor takes on a new apprentice, the J.L Cooper MixMate.

On The Beat - Part 9

Feature Series | Topic: Drum Programming | Music Technology, Apr 1990

Ignoring the sunshine and the siestas, this month's On The Beat concentrates on the sounds and the instruments of Brazil. Nigel Lord guides us through the samba Batucada and the Maracatu.

Music Percussion Computer

Review | One Two Testing, Jan 1984

In depth.

Arion FX Pedals

Review | In Tune, Jan 1985
IT On FX: Hot-Foot Review

Suzuki Dynamic Mikes and Instrument Leads

Review | Music UK, Aug 1983

Suzuki mikes plus Eelectriks leads — new mikes, new leads.

 

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