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When the Pressure's OnFeature | Topic: Microphones | Home & Studio Recording, Oct 1986Getting the best out of Tandy's Realistic PZM microphones. |
FX on Fire!Review | In Tune, Dec 1985Vesta-Fire FX Pedals plus D-1X Digital Delay & L-1 Low Frequency OscillatorNew pedals on test |
The Secrets of Computer Composition - Part 1Feature Series | Topic: Algorythmic Composition | Music Technology, Mar 1989The question "can computers write music" has never been more important than it is in 1989; what is an algorithmic composition program, and will it ever replace the human composer? Ian Waugh composes himself. |
Studiomaster MOSFET 1000Review | Home & Studio Recording, Aug 1985Ben Duncan gives this power amplifier a thorough going over before telling you that he quite likes it. |
dB or not dBFeature | Topic: Sound Fundamentals | Home & Studio Recording, Jan 1986— Dat is de QuestionPaul White does his level best to unscrew the inscrutable. |
ToolboxNews Audio | The Mix, May 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Home Electro-MusicianFeature | Topic: Home Studio | Electronics & Music Maker, Feb 1983 |
Yamaha C1 - Part 2Review Series | Sound On Sound, Jul 1989Music SoftwareIn the second part of his review of the new Yamaha C1 music computer, Ian Gilby provides a rundown of the different types of music programs available for the C1 and explores the sequencing and MIDI utility program's that are bundled free with the computer. |
RAM-a-ROM-inFeature | Topic: Buyer's Guide | Sound On Sound, Dec 1986Sound On Sound's DEFINITIVE guide to DX7 RAM & ROM cartridgesWe bring you Sound On Sounds DEFINITIVE guide to all ROM/RAMs available for the Yamaha DX7 in the UK. Over 2500 voices tested and everything you need to know about the products revealed in a comprehensive round-up and table. |
Pushing Back Frontiers?Review | Sound On Sound, May 1988Emulator III Sampling KeyboardIf there is one company which has made its name on sampling that company is E-mu Systems. The term 'Emulator' is now synonymous with sampling and now the third instrument in this distinguished series is on the market. Paul Wiffen checks it out and finds E-mu bang up to date. |
Creative GatingFeature | Topic: Effects Processing | Sound On Sound, Jul 1993Masterclass - Noise Gates |
Pandora's BoxReview | Home & Studio Recording, Dec 1986The BoxTapetalk's latest species of Box soundstage analyser turns out to be a very useful device to have in the studio. |
Domestic DATReview | Sound On Sound, Jul 1989Sony DTC M100David Mellor compares the new Sony DTC M100 Digital Audio Tape recorder with the studio industry standard - the Sony DTC 1000ES. |
Hi-FiFeature | Electronics & Music Maker, Nov 1981 |
OSCar SynthesiserReview | Electronics & Music Maker, Aug 1983 |
Alesis ADATReview | Recording Musician, Sep 19928-Track Digital RecorderIt's finally here, it's available and it works! |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Mar 1992Hints, Tips & News From The World of Music SoftwareMore hints and tips from the software publishers themselves. This month: C-Lab; Steinberg; Passport. |
In DeepReview | Sound On Sound, Apr 1992With The Roland JD800One year after reviewing the instrument that brought back knobs and sliders, Julian Colbeck presents an in-depth user report on Roland's flagship JD800 synthesizer. |
Inside Views: AphexFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jan 1987Paul Gilby returns with the series that takes a behind the scenes look at companies and design personnel working in the field of music and recording technology. This month: Marvin Caesar, President of Aphex Systems USA - creators of the legendary Aural Exciter. |
Plasmec ADASReview | Sound On Sound, Nov 1991Digital Audio For The Atari STKendall Wrightson examines an inexpensive Atari-based tapeless recorder offering digital audio editing, plus MIDI controlled hard disk recording with Notator/Creator, Cubase/Cubeat or Virtuoso. |
Quinsoft K4 MagicianReview | Music Technology, Nov 1991Atari ST SoftwareFew players get the best out of their synths these days without the help of a software editor. Gordon Reid boots up his ST and goes to work on his Kawai K4. |
David Bowie - Track Record: Bowie & JaggerFeature | Topic: Classic Tracks | International Musician, Nov 1985All profits from Tony Horkins' features go to Live Aid |
Paul Ward - Behind the ScenesFeature | Topic: Maintenance / Repair / Modification, Recording Studios | Home & Studio Recording, May 1987Although the title 'maintenance engineer' does not have the glamour of 'producer', it is an essential job. Paul Ward tells us why. |
Tears for Fears - In The Heart Of The CountryFeature | Topic: Recording Studios | Music Technology, Apr 1987The Wool HallIf you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports. |