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Pushing Back Frontiers?Review | Sound On Sound, May 1988Emulator III Sampling KeyboardIf there is one company which has made its name on sampling that company is E-mu Systems. The term 'Emulator' is now synonymous with sampling and now the third instrument in this distinguished series is on the market. Paul Wiffen checks it out and finds E-mu bang up to date. |
Creative GatingFeature | Topic: Effects Processing | Sound On Sound, Jul 1993Masterclass - Noise Gates |
Alesis ADATReview | Recording Musician, Sep 19928-Track Digital RecorderIt's finally here, it's available and it works! |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Mar 1992Hints, Tips & News From The World of Music SoftwareMore hints and tips from the software publishers themselves. This month: C-Lab; Steinberg; Passport. |
Domestic DATReview | Sound On Sound, Jul 1989Sony DTC M100David Mellor compares the new Sony DTC M100 Digital Audio Tape recorder with the studio industry standard - the Sony DTC 1000ES. |
Hi-FiFeature | Electronics & Music Maker, Nov 1981 |
OSCar SynthesiserReview | Electronics & Music Maker, Aug 1983 |
In DeepReview | Sound On Sound, Apr 1992With The Roland JD800One year after reviewing the instrument that brought back knobs and sliders, Julian Colbeck presents an in-depth user report on Roland's flagship JD800 synthesizer. |
Quinsoft K4 MagicianReview | Music Technology, Nov 1991Atari ST SoftwareFew players get the best out of their synths these days without the help of a software editor. Gordon Reid boots up his ST and goes to work on his Kawai K4. |
Inside Views: AphexFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jan 1987Paul Gilby returns with the series that takes a behind the scenes look at companies and design personnel working in the field of music and recording technology. This month: Marvin Caesar, President of Aphex Systems USA - creators of the legendary Aural Exciter. |
Plasmec ADASReview | Sound On Sound, Nov 1991Digital Audio For The Atari STKendall Wrightson examines an inexpensive Atari-based tapeless recorder offering digital audio editing, plus MIDI controlled hard disk recording with Notator/Creator, Cubase/Cubeat or Virtuoso. |
X-Ray Specs - Part 1Feature Series | Topic: Electronics / Build | One Two Testing, Mar 1985Ben Duncan explains the language of the specification sheetfind out what the small print means |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
On The Beat - Part 5Feature Series | Topic: Drum Programming | Music Technology, Dec 1989The basis of this month's article on drum programming is swing - the rhythmic basis for music as diverse as jazz and hip hop. Nigel Lord swings out. |
Tascam MTS30Review | Music Technology, May 1988MIDI SynchroniserAs tape synchronisation becomes an indispensable part of modern music making, the demand for cost-effective sync boxes grows... Simon Trask discovers that it takes more than Tipp-Ex on the tape to throw the MTS30 off the track. |
Plasmec Systems ADASReview | Music Technology, Nov 1991Hard Disk Recording SystemDirect-to-disk digital recording comes of age on the Atari ST computer. Vic Lennard checks out the system which may change your life. |
KMD's 100 Watt ComboReview | In Tune, May 1986 |
Inside the Synclavier - Part 3Feature Series Audio | Topic: Digital Audio Workstations | Sound On Sound, Aug 1989PART 3: What is it like to sit down at the Synclavier - the world's most expensive instrument - and create a piece of music? David Mellor finds out and tells the whole story. |
Shazam - A Software Keyboard Operating SystemFeature | Topic: Computing | Polyphony, Nov/Dec 1978(or "Maestro, a little software, please") |
Masters Of The UniverseFeature | Topic: Mastering, Tape, Vinyl, CD, DAT | Sound On Sound, Dec 1991So you wanna record an album? Anyone with a DAT recorder can make what they think is a usable master tape, but it takes a little know-how to do it properly. Mastering engineers Mike Brown and Martin Giles of CTS Studios explain what goes into preparing master tapes for tape, record and CD duplication. |
David Bowie - Track Record: Bowie & JaggerFeature | Topic: Classic Tracks | International Musician, Nov 1985All profits from Tony Horkins' features go to Live Aid |
Paul Ward - Behind the ScenesFeature | Topic: Maintenance / Repair / Modification, Recording Studios | Home & Studio Recording, May 1987Although the title 'maintenance engineer' does not have the glamour of 'producer', it is an essential job. Paul Ward tells us why. |
Tears for Fears - In The Heart Of The CountryFeature | Topic: Recording Studios | Music Technology, Apr 1987The Wool HallIf you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports. |