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Arbiter Auto-TuneReview | International Musician, Dec 1975DrumCheckBob Henrit of Argent has a go on the new Arbiter Auto-Tune kit. |
Computer MusicianEditorial | Electronics & Music Maker, Apr 1985 |
Sound And VisionReview | Electronics & Music Maker, Mar 1986CZ Editing SoftwareIt's taken two British companies - XRI and Joreth - to produce the first computer-based editing packages for the Casio CZ range. Simon Trask finds out if they make programming life easier. |
Yamaha DX7IID & DX7IIFD FM Digital SynthesisersReview | Music Technology, Mar 1987After a trickle of early publicity, the successors to the immortal DX7 have arrived. Rick Davies finds out just what it takes to update a legend in music technology, and wonders if the improvements have been worth the wait |
In the first placeEditorial | Music Technology, May 1994 |
Music In Our SchoolsFeature | Topic: Education | Recording Musician, Aug 1992Educating TeachersChris Gander, a teacher and a home recording enthusiast, examines the way technology is influencing music education. |
Hohner 335 GuitarReview | Phaze 1, Jan 1989 |
Roll ReversalEditorial | Music Technology, Apr 1992We all like to daydream from time to time, so try this: envisage a world in which high technology had become the province of the drummer rather than the keyboard player. Tim Goodyer's imagination runs riot. |
The BassesReview | Sound International, Dec 1978 |
GenPatch ST MIDI LibrarianReview | Sound On Sound, Mar 1988How on earth could buying a generic patch librarian program from Hybrid Arts actually save you money? Martin Russ explains how. |
Out Of the ShadowsReview | Electronics & Music Maker, Jul 1986Shadow MIDI GuitarGeoff Twigg takes a look at the latest guitar synth technology. Now you can have a Synclavier system behind the strings of your old acoustic. |
360 Systems MIDI BassReview | Electronics & Music Maker, Apr 1986At last, someone has come up with a sample-playing device that specialises in reproducing bass voices - from a double bass to a Moog synth. Brian Devereux reports. |
History of Electronic Music - Part 7Feature Series | Topic: History / Culture | Electronics & Music Maker, Sep 1982Brian Eno |
ART MultiverbReview | Sound On Sound, Jan 1989In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor. |
Intelligent MusicReview | Music Technology, Mar 1987Software for Apple MacintoshAfter the Jam Factory comes "M", an advanced music composition and manipulation system for the Mac. Jim Burgess investigates a variation on the theme of MIDI recording. |
Siel PX Electronic PianoReview | Electronics & Music Maker, Feb 1984A ten preset voice electronic piano with touch sensitive keyboard and separate bass section. |
Writing on the WallFeature | Topic: Live, Marketing / Promotion | Phaze 1, May 1989all publicity is good publicity - and even with limited funds, your band can still have a great image |
In the Sticks with PromucoFeature | Topic: Design, Development & Manufacture | In Tune, Dec 1985 |
Making It - Part 1Feature Series | Topic: Design, Development & Manufacture | In Tune, Dec 1984Overwater's Chris May on Guitar Making |
Stripes & StarsFeature | Topic: Recording Studios, Video / Film / Picture | The Mix, Jun 1995Todd AO StudiosSimon Braund visits New York's busiest movie post-production facility |
The ProducersFeature | International Musician, Jan 1986Ken Scott muses on his journey from Bowie to Kajagoogoo. Chas de Whalley listens attentively |
The Unholy MarriageFeature | Topic: MIDI, Syncronisation | Electronics & Music Maker, Jul 1986MIDI and SMPTETwo industry standards settle their timing differences and agree to work together. Chris Meyer checks it out and discusses proposals for the MSMPTE. |