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Songs And Their Sections - Part 2Feature Series | Topic: Music Theory | Making Music, Oct 1986Part two considers arrangements: getting right all the instruments order in the. |
Steinberg CubeatReview | Music Technology, May 1991Atari Sequencing SoftwareSon of Cubase: this stripped-down version of Steinberg's powerful sequencer retains many of its best functions. Nigel Lord and ST, and Cubase makes three. |
The Birth Of The Wang Bar - Part 1Feature Series | One Two Testing, Nov 1983From the dawn of time and the twang of strings comes the tremolo arm. We reveal its courageous story. |
The Sampler & The SoulFeature | Topic: Sampling | Music Technology, Nov 1990With its ability to manipulate sounds and music, the digital sampler has probably caused more arguments than any other musical instrument to date. Peter Ridsdale takes an alternative view. |
Kurzweil 250Review | Electronics & Music Maker, Dec 1984Digital KeyboardHow can the principles of Artificial Intelligence be employed to make a computer musical instrument sound like a grand piano? David Ellis delves deep into the workings of a £10,000+ Stateside keyboard. |
The ProducersFeature | Recording Musician, Apr 1993A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers. |
Fostex 3050Review | Electronics & Music Maker, May 1983 |
Incoming DataNews | Music Technology, Oct 1992 |
Anvil Percussion SynthesiserReview | Electronics & Music Maker, Jun 1985An all-British sound-sampling and drum-synthesising MIDI percussion machine with built-in sequencer gets an exclusive preview courtesy of David Ellis - there's even comment from the designers. |
Home Electro-MusicianFeature Audio | Topic: Home Studio | Electronics & Music Maker, Feb 1982Johnny Demestos |
Machines up to £200Feature | Topic: Buyer's Guide | International Musician, Oct 1985 |
Ibanez SDR1000 Digital ReverbReview | Making Music, Nov 1986 |
The Human TouchFeature | Topic: Sequencing | Music Technology, Mar 1989The machines that stole the musicians' feel from your music are the same machines that you can now use to restore it - once you know how. Travis Charbeneau investigates the subtleties of the human touch. |
Sample ShopReview | Sound On Sound, Nov 1992 |
Trackball Round-UpFeature | Music Technology, Dec 1990ATARI/P&G/CONTRIVER/MCS/MARCONI/KRAFT TrackballsWhen you entrust your music to the sophistication of a computer and software, you may find yourself needing something more reliable than a mouse to control it. Vic Lennard has the balls - track balls. |
Akai AX80Review | Electronics & Music Maker, Dec 1984Programmable PolysynthPaul White looks at the first musical instrument product from a Japanese giant. Has Akai's poly got the sounds and the facilities necessary for it to make an impact on today's synth world? |
Production Lines - Chris PorterOpinion | Recording Musician, May 1993Some words of undeniable wisdom from producer Chris Porter play you gently out of the mag this month. |
Drum HumFeature | Topic: Tuition / Technique | Making Music, Jun 1987Geoff Nicholls traces the style and influence of two drummers who've recently copped it — Buddy Rich and Carlton Barrett |
MIDI FXReview | Electronics & Music Maker, Jun 1985For what was supposed to be a universal interface, MIDI has trouble enough staying in touch with itself, let alone the outside world. Tim Goodyer looks at four auxiliary units that set out to improve matters. |
Delaying TacticsFeature | Topic: Effects Processing | Electronic Soundmaker, Nov 1984Having fun with digital delays. |
Quotes Of The YearRetrospective | Topic: Humour | International Musician, Dec 1985From the profound to the downright silly, we wind up a year's chit-chat |