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Interviews

Boss DE200 Delay

Review | Home & Studio Recording, Nov 1984

Shredder

Show Report | One Two Testing, May 1986
Frankfurt 86

The Frankfurt show seen from a diagonal position

On The Beat - Part 5

Feature Series | Topic: Drum Programming | Music Technology, Dec 1989

The basis of this month's article on drum programming is swing - the rhythmic basis for music as diverse as jazz and hip hop. Nigel Lord swings out.

Korg 05R/W

Review | Music Technology, Oct 1993
General MIDI module

Less knobs, more sound

Guide to Electronic Music Techniques

Feature | Topic: Microphones | Electronics & Music Maker, Jul 1981
Microphone techniques for 'Musique Concrete'

Apple Notes

Feature | Topic: Computing | Sound On Sound, Dec 1993

Rickenbacker 12

Review | In Tune, Jul/Aug 1985

Yamaha FB01

Review | Music Technology, Nov 1986
FM Sound Generator

Yamaha's preset synth expander offers a multitude of FM sounds for reasonable money, and also boasts MIDI Mono Mode for multi-timbral recording. David Ellis gives his verdict.

Alembic

Review | Sound International, Aug 1978

Alembic is a word guaranteed to set bassists' teeth a-gnashing with envy. Steve York supplies the necessary.

Post-a-Studio

Review | Electronic Soundmaker, Dec 1984

Rosetti's 12-Channel Studio software for the CBM 64. A comprehensive disc-based package that can turn your MIDI gear into a floppy phenomenon.

Past Masters

Feature | Topic: Mastering | The Mix, May 1995
Sound Mastering

Ace Records' re-mastering engineers reveal the secrets of acoustic restoration

Zlatna Panega ACS100

Review | Electronics & Music Maker, Apr 1985

Tucked away in one corner of the Frankfurt Music Fair was an astonishing sound-sampling device with origins in Eastern Europe. Paul White and Dan Goldstein have managed to get their hands on the first model to appear in the West.

Comment

Editorial | Electronics & Music Maker, Mar 1986
Back To The Future

The future of the synthesiser: experimenter's toy or street-cred home organ?

Sub Woofers - Part 1

Feature Series | Home & Studio Recording, Nov 1984
Control Room

Sub-woofers: how to extend the bass response of your micro-monitors.

Mixdown Lowdown - Part 2

Feature Series | Topic: Mixing | Music Technology, Dec 1986

In the second part of our series on getting the most from the mix, Paul White offers some advice on using outboard signal processors to their best, er, effect.

Electrospace Time Matrix

Review | Home & Studio Recording, Apr 1984

FrontLines

News | Phaze 1, Nov 1988
People, Gear, Events, Gossip

happening people, gear, events, gossip

Hotlicks Instruction Tapes

Review | In Tune, Oct 1985
'Master Series' By John Entwistle

Musicom

Review | Music Technology, Nov 1986
Music Instruction System

Of the few computer-based music teaching systems available, Xanadu's Musicom - distributed by Roland - is one of the most versatile. David Ellis finds out if it's cheap enough to tempt fund-starved schools.

Walk Away René

Review | Sound International, Oct 1978
Visual Reports & Views

Hipgnosis collection is no walking antique: gosh I spin Magritte-like-are you hip enough to gnosis? (anag).

Arbiter Auto-Tune

Review | International Musician, Dec 1975
DrumCheck

Bob Henrit of Argent has a go on the new Arbiter Auto-Tune kit.

Computer Musician

Editorial | Electronics & Music Maker, Apr 1985

Sound And Vision

Review | Electronics & Music Maker, Mar 1986
CZ Editing Software

It's taken two British companies - XRI and Joreth - to produce the first computer-based editing packages for the Casio CZ range. Simon Trask finds out if they make programming life easier.

History By Numbers

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1987
A Re-Review Of The Roland MC4 Microcomposer

...But let us not forget what went before. Steve Howell again, on the machine that introduced the world to recording music by punching in a set of numbers. It's still usable today.

In the first place

Editorial | Music Technology, Mar 1994

 

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