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Boss DE200 DelayReview | Home & Studio Recording, Nov 1984 |
ShredderShow Report | One Two Testing, May 1986Frankfurt 86The Frankfurt show seen from a diagonal position |
On The Beat - Part 5Feature Series | Topic: Drum Programming | Music Technology, Dec 1989The basis of this month's article on drum programming is swing - the rhythmic basis for music as diverse as jazz and hip hop. Nigel Lord swings out. |
Guide to Electronic Music TechniquesFeature | Topic: Microphones | Electronics & Music Maker, Jul 1981Microphone techniques for 'Musique Concrete' |
Apple NotesFeature | Topic: Computing | Sound On Sound, Dec 1993 |
Rickenbacker 12Review | In Tune, Jul/Aug 1985 |
Yamaha FB01Review | Music Technology, Nov 1986FM Sound GeneratorYamaha's preset synth expander offers a multitude of FM sounds for reasonable money, and also boasts MIDI Mono Mode for multi-timbral recording. David Ellis gives his verdict. |
AlembicReview | Sound International, Aug 1978Alembic is a word guaranteed to set bassists' teeth a-gnashing with envy. Steve York supplies the necessary. |
Post-a-StudioReview | Electronic Soundmaker, Dec 1984Rosetti's 12-Channel Studio software for the CBM 64. A comprehensive disc-based package that can turn your MIDI gear into a floppy phenomenon. |
Past MastersFeature | Topic: Mastering | The Mix, May 1995Sound MasteringAce Records' re-mastering engineers reveal the secrets of acoustic restoration |
Zlatna Panega ACS100Review | Electronics & Music Maker, Apr 1985Tucked away in one corner of the Frankfurt Music Fair was an astonishing sound-sampling device with origins in Eastern Europe. Paul White and Dan Goldstein have managed to get their hands on the first model to appear in the West. |
CommentEditorial | Electronics & Music Maker, Mar 1986Back To The FutureThe future of the synthesiser: experimenter's toy or street-cred home organ? |
Sub Woofers - Part 1Feature Series | Home & Studio Recording, Nov 1984Control RoomSub-woofers: how to extend the bass response of your micro-monitors. |
Mixdown Lowdown - Part 2Feature Series | Topic: Mixing | Music Technology, Dec 1986In the second part of our series on getting the most from the mix, Paul White offers some advice on using outboard signal processors to their best, er, effect. |
Electrospace Time MatrixReview | Home & Studio Recording, Apr 1984 |
FrontLinesNews | Phaze 1, Nov 1988People, Gear, Events, Gossiphappening people, gear, events, gossip |
MusicomReview | Music Technology, Nov 1986Music Instruction SystemOf the few computer-based music teaching systems available, Xanadu's Musicom - distributed by Roland - is one of the most versatile. David Ellis finds out if it's cheap enough to tempt fund-starved schools. |
Walk Away RenéReview | Sound International, Oct 1978Visual Reports & ViewsHipgnosis collection is no walking antique: gosh I spin Magritte-like-are you hip enough to gnosis? (anag). |
Arbiter Auto-TuneReview | International Musician, Dec 1975DrumCheckBob Henrit of Argent has a go on the new Arbiter Auto-Tune kit. |
Computer MusicianEditorial | Electronics & Music Maker, Apr 1985 |
Sound And VisionReview | Electronics & Music Maker, Mar 1986CZ Editing SoftwareIt's taken two British companies - XRI and Joreth - to produce the first computer-based editing packages for the Casio CZ range. Simon Trask finds out if they make programming life easier. |
History By NumbersRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1987A Re-Review Of The Roland MC4 Microcomposer...But let us not forget what went before. Steve Howell again, on the machine that introduced the world to recording music by punching in a set of numbers. It's still usable today. |
In the first placeEditorial | Music Technology, Mar 1994 |