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Interviews

Jon Lord

Interview | Electronics & Music Maker, Aug 1982

Established as a top keyboard player in Deep Purple and Whitesnake, our interview analyses the music of his new LP ‘Before I Forget’.

Karl Steinberg - The Cubist

Interview | Music Technology, Dec 1989

Steinberg Research are responsible for some of the most significant developments in computer music systems in recent years. Nigel Lord talks tech with Charlie Steinberg on a rare visit to Britain.

Kim Ryrie - Fairlight's Father - Part 1

Interview Series | Music Technology, May 1987
TechTalk: Kim Ryrie

In an exclusive interview, the co-founder of the Fairlight company and father of the CMI talks about the machine's development, and outlines his plans for the future. Simon Trask pops the questions.

Kraftwerk - Arts & Krafts

Interview | Music Technology, Dec 1992

Ralf Hutter: This year's model

Kraftwerk - Kraftwerk Revealed

Interview | Electronics & Music Maker, Sep 1981
An interview with Ralf Hutter

Larry Heard - Touching Bass

Interview | Music Technology, May 1992

As Mr Fingers and Fingers Inc, Chicago-based Larry Heard was instrumental in creating the house music movement. Simon Trask talks tech with him on the release of his first LP on a major label.

Laurie Anderson - Making Music with Big Science

Interview | Electronics & Music Maker, Feb 1985

There seems no end to the creativity of New York performance artist Laurie Anderson. In an exclusive interview, she talks about her music, her lyrics, and life as a 'Diva' for artist Jean-Michel Jarre.

Lonnie Liston Smith - Rhodes Scholar

Interview | Music Technology, May 1993

In a career spanning 30 years, including stints with Art Blakey and Miles Davis and a string of hit fusion albums, Lonnie Liston Smith has seen the changing role of the jazz pianist at first hand. In London for a rare live outing, Lonnie talks keyboards while Simon Trask clicks his fingers, shuts his eyes and goes "yeahhh"

Mike Myers - Workshop Boys

Interview | Topic: Recording Studios | Music Technology, Jul 1988

A pro studio that's offering its facilities to new bands for free? Mike Myers tells Nicholas Rowland what's wrong with the record biz and how he's trying to put it right.

Neil Carter - He Ain't Heavy...

Interview | Music Technology, Sep 1987

Is heavy metal really all mouth and trousers, or is there music in there too? Gary Moore's keyboardsman discusses technology and the changing face of rock with Tim Goodyer - quietly.

Nigel Bates - Nigel Bates, Producer

Interview | Home & Studio Recording, Sep 1983
Mixing Desk

Paul Hardcastle - The Wizard

Interview | Music Technology, Nov 1986

The whizz-kid that made a number one hit out of a spoken-word soundtrack and a sampler with 19' is now The Wizard, courtesy of a new signature tune for 'Top of the Pops'. Tim Goodyer meets the man, the Synclavier, and the passion for new technology.

Phil Fearon - A Recipe For Success

Interview | Sound On Sound, Nov 1987

How can you set up a home studio, write, produce and perform hit singles, and have a good time doing it? David Mellor asks Galaxy's Phil Fearon that very question and more...

Prince Paul - Soul Sonic Force

Interview | Music Technology, Feb 1990
Prince Paul

Already an established musical force from his work with Stetsasonic, Prince Paul has gone on to produce De La Soul's brilliant debut LP. Steven Daly talks technology and sampling ethics with a Prince.

Propaganda - The Ministry Of Propaganda

Interview | Music Technology, Jul 1990

In 1985 Propaganda produced a seminal electronic music album - then they vanished. Five years on they've returned to pick up where they left off. Michael Mertens talks to Tim Goodyer about technology and the German tradition.

Robert Irving III - Latest In The Line

Interview | Music Technology, Feb 1987

Fancy following in the footsteps of Herbie Hancock, Keith Jarret and Chick Corea? Robert Irving did, and now finds himself doing just that, playing keyboards with Miles Davis. Tim Goodyer reports.

Rod Argent - An Interview with Rod Argent

Interview | International Musician, Mar 1975

Roy Hay - Soul Man

Interview | Music Technology, Nov 1987

Free of Culture Club, guitarist Roy Hay declares his infatuation with soul music and forms a new band. Tim Goodyer listens to his tales of "programming madness".

S' Express - S'Express

Interview | Micro Music, Apr/May 1989

Fresh from Germany - Mark Moore spoke to us about the European music scene and the kind of technology he uses

Seigen Ono - Japanese New Age Music

Interview | Sound On Sound, Nov 1986

At 28 Seigen Ono is one of Japan's leading producer/engineers whose recording credits include working for David Sylvian, Robert Fripp, Ryuichi Sakamoto and Lounge Lizards. He is also the creator of some of the highest quality instrumental music yet to be classified under the New Age music banner. Mark Prendergast discovers what he and his music are all about.

Shriekback - Call Of The Wild

Interview | Music Technology, Mar 1989

After carving a career for themselves with their unique brand of anarchic funk, Shriekback have decided the time has come for a change. Barry Andrews tells David Bradwell about the importance of loving musical equipment.

The Frank Chickens - Frank Talking

Interview | Electronic Soundmaker, Mar 1985

We meet the trio of men behind the Frank Chickens.

Thomas Dolby - The Dolby System

Interview | Music Technology, Jun 1988

Four years on from the successes of The Flat Earth, Thomas Dolby has moved to LA for his follow-up LP, Aliens Ate My Buick. Tim Goodyer discovers that aliens have a lot to say.

Tom Newman

Interview | Sound On Sound, Mar 1987
Tubular Bells, Bayou Moon and other stories

Apart from his claim to fame as the co-producer of Mike Oldfield's hugely successful 'Tubular Bells' album, engineer/producer Tom Newman has most recently been making his mark in the New Age music field with two beautifully recorded albums. Mark Prendergast reports.

WBTM Music - Commercial Gain

Interview | Music Technology, Feb 1990

Take two classically trained musicians, a studio full of hi-tech gear and a will to survive in the commercial world of music and you've got WBTM Music. Claire O'Brien learns how to be a musician and eat.

 

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