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Chip Parade - Part 9Feature Series | Topic: Electronics / Build | Electronic Soundmaker, May 1984The IC voltage amps |
Organ TalkFeature | Electronics & Music Maker, Apr 1981 |
The New Simmons KitsReview | Electronics & Music Maker, Apr 1984Simmons SDS7 and SDS8In a special report, Ultravox drummer Warren Cann takes a look at two new electronic drum-kits from Simmons - the people who started it all. One is a straight forward 'Simmons-sound-on-a-budget' model, the other a sophisticated modular system employing both analogue and digital sound-generation, as well as versatile user-programmability. |
M&A K-1/B Drum KitReview | Electronics & Music Maker, May 1983 |
The Art Of Recording Electronic InstrumentsFeature | Topic: Recording | Sound On Sound, Aug 1991Recording acoustic instruments is a fine art, but electronic instruments present their own set of problems. Craig Anderton explains how to do it properly. |
The E&MM Electronic Drum GuideFeature | Topic: Buyer's Guide | Electronics & Music Maker, Mar 1984 |
Cardiff University Electronic Music StudioFeature | Topic: Education | Electronics & Music Maker, Apr 1982If you are serious about electronic music, then you'll appreciate this study report. |
Patrick MorazMusic Review | Electronics & Music Maker, Dec 1982Future Memories LiveWe analyse his 'Future Memories Live' LP. |
AmericaNews | Electronics & Music Maker, Sep 1981 |
AmericaNews | Electronics & Music Maker, Jul 1981 |
Pianos You'll Feel At Home WithFeature | Topic: Advertisement Feature | Electronic Soundmaker, Aug 1985 |
GriefFeedback | Music Technology, Feb 1994If we can't solve your problem then... er, perhaps someone else can - sorry, this isn't a very good sell-line... sorry |
Delay TechnologyFeature | Topic: Effects Processing | Home & Studio Recording, Aug 1984Flanging, phasing, echo and reverb etc. all described in full. |
This Years ModulesReview | Electronic Soundmaker, Sep 1985Simmons 800 Series electronic drumsSimmons’ budget range of new electronic drums |
Recording MusicianFeature | Topic: Home Studio | Recording Musician, Dec 1992Paul WardPaul is a key figure in the Surreal to Real independent record company and has achieved success with his instrumental compositions. RM visits his home studio. |
Studio Mains Supplies - Part 6Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Nov 1985The final part of the saga. |
Doing the Video - Part 4Feature Series | Topic: Video / Film / Picture | Home & Studio Recording, Oct 1986Alan Hoida looks into the postproduction stage of making a pop video. |
M&A Electronic KitReview | Electronics & Music Maker, May 1984An all-analogue electronic drum kit with built-in sequencer. Made in Britain by Magic Music: tested by Paul White. |
Keyboard Buyers GuideFeature | Topic: Buyer's Guide | Electronics & Music Maker, May 1982In this, the next of our Buyers Guides we look at electric pianos, string synths and electric keyboards in general. |
Music at City UniversityFeature Audio | Topic: Education | Electronics & Music Maker, Oct 1981Computer music and electro-acoustic education in London. |
The Moog StoryReview | Topic: Vintage Instruments | Sound International, Oct 1978KeyboardsSI in association with Dave Crombie Productions Inc present The Moog Story, starring Robert A Moog... |
Simmons SDXReview | Music Technology, Apr 1988Electronic Percussion SystemThe company that pioneered the electronic drum kit bring us the next generation of electronic percussion. Nicholas Rowland investigates Zone Intelligence and tracker balls. |
Lowrey MX-1 Instrument ReviewReview Audio | Electronics & Music Maker, May 1981 |
BuzzNews | International Musician, Nov 1986Everything you didn't want to know and couldn't be bothered to ask |
How Analogue Synthesizers WorkFeature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter... |