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Ovation 1667 Acoustic ElectricReview | Electronics & Music Maker, Jun 1983 |
How to Calm Hysterics in Op-ampsFeature | Topic: Electronics / Build | Home & Studio Recording, Feb 1986Ben Duncan explains instability... and he should know! |
Dave Bristow on the Yamaha DX7Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983Yamaha DX KeyboardsDave Bristow, Yamaha’s keyboard consultant, explains how to play and programme these new FM synthesisers |
The Transcontinental Midi Songwriting ShuffleFeature | Topic: Computing, Sequencing | Sound On Sound, May 1989MIDI Composition via ComputerThe tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened. |
Map RapFeature | Topic: Sampling | Music Technology, Nov 1988Turning a collection of samples into a usable keyboard patch is one of the most important aspects of sampling. Tom McLaughlin puts samples on the map. |
Making wavesFeature | Topic: Acoustics, Construction / Build | The Mix, Aug 1994Acoustic diffusersWhat they are, how they work, why you need them |
Soundcraft Sapphyre Recording MixerReview | Sound On Sound, Mar 1992Zenon Schoepe gets to grips with the latest jewel in Soundcraft's crown, a personal desk with top-flight facilities and quality. |
The Sequencer BibleFeature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992The MT Software Sequencer Buyer's BibleThe only guide you'll ever need |
Digidesign TurbosynthReview | Sound On Sound, Dec 1988The Return of the Modular SynthesizerDigidesign continue to add to their innovative range of synthesis programs which use the flexibility of computers for sound creation and the hardware of MIDI samplers to replay the sounds. Paul Wiffen finds he loves the former but hates the latter. |
Kawai K1 EditorsReview | Sound On Sound, Dec 1988Steinberg & SoundbitsTony Wride investigates the Steinberg and Soundbits Atari-based voice editing programs for the Kawai K1 multitimbral synthesizer. |
Trackball Round-UpFeature | Music Technology, Dec 1990ATARI/P&G/CONTRIVER/MCS/MARCONI/KRAFT TrackballsWhen you entrust your music to the sophistication of a computer and software, you may find yourself needing something more reliable than a mouse to control it. Vic Lennard has the balls - track balls. |
Recording Techniques - Part 12Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Nov 1990Part 12: Equalisation, there are equalisers, and there are equalisers. David Mellor wonders whether some are more equal than others. |
Power PlayersReview | Sound On Sound, Apr 1992Peavey DPM2 & DPM3SE PlusPeavey's DPM3 synth now has a little brother in the DPM2, and the DPM3 itself has been upgraded with new features that increase its powers dramatically. Martin Russ looks at a dynamic duo. |
A Double Dose of RolandReview | Sound On Sound, Apr 1992Roland JV80 & JY30 SynthsIs Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test. |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |
Dynacord ADS SamplerReview | Sound On Sound, Feb 1990The ADS sampler has the look and feel of a German sports car - expensive, no-nonsense, and high performance. Craig Anderton takes it for a test drive. |
Tape Line-Up - Part 1Feature Series | Topic: Sound Fundamentals, Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1986Know anything about bias, test-tones or calibration? If you use a tape recorder then you should! In the first of two parts, David Mellor explains the need for tape recorder line-up procedures and unravels the mystery behind this arcane science which can have a profound affect on the quality of your recordings. |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992Hints, Tips & News From The World of Music SoftwareThis month, helpful hints for users of Steinberg, Opcode, and Dr. T music software. |
Making The Most Of Your Kawai K1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1990How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast. |
Guitar SurvivalFeature | Topic: Maintenance / Repair / Modification | One Two Testing, Oct 198412-page pull-out: all you need to know |
Powertools D110 EditorReview | Music Technology, Oct 1989Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box. |
Cutec MicrophonesReview | Home & Studio Recording, Nov 1984 |