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Interviews
 Setting Up A StratocasterFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Aug 1982 |
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 Noise GateFeature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1981 |
 We Can't Go On... - Part 3Feature Series | Topic: Drum Programming | Music Technology, Jun 1987Beating Like This...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available. |
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 Hi-Fi GraphicsFeature | Topic: Effects Processing | International Musician, Jan 1985Are they a viable and cheap alternative to Eqs in the studio. Curtis Schwartz takes a look at a cross section of products available |
 The Performing Art - Part 3Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers. |
 ReviewNews | Topic: Advertisement Feature, Microphones | International Musician, Feb 1986 |
 Pearl World Series WX-22D-5DReview | International Musician, May 1986DrumCheckBob Henrit takes on the World; Pearl's new mid-range five-piece acoustic kit |
 Convention InventionShow Report | Music Technology, Feb 1989AES Convention 1988Los Angeles' recent AES convention pointed the way ahead for recording technology. Bob O'Donnell takes a trip to the fair and finds the rides to his liking. |
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 Yamaha DX5Review | International Musician, May 1985Synthcheck"The ultimate all-rounder," says Curtis Schwartz |
 Dr T'S T-BasicReview | Music Technology, May 1990Software for the Atari STUntil now writing MIDI software has been the preserve of a few dedicated individuals, but T-Basic offers to make MIDI programming accessible to the masses. Ian Waugh gets online. |
 Casio FZ1 samplerReview | Making Music, Jun 1987 |
 High Noon!Review | Sound On Sound, Feb 1989Steinberg 'Twelve' MIDI RecorderSteinberg have divided Pro24 roughly in half and have arrived at what may well turn out to be the best answer for many people starting out, namely a 'new' low-priced 12-track sequencer called Twelve. David Pickering Pick investigates. |
 Fender GuitarsReview | International Musician, Oct 1985GuitarcheckThree of the new breed vetted by Dave Burrluck |
 Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Apr 1984Recording Vocals |
 Hi-fiFeature | Electronics & Music Maker, Apr 1983Trends in Cartridge designModern trends in cartridge design |
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 Circuit MakerFeature | Topic: Electronics / Build | Electronics & Music Maker, Apr 1983Sawtooth Processor, Graphic Oscillator |
 Grey Matter Response E! BoardReview | Music Technology, May 1988For the DX7IIGrey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out. |
 Steinberg Pro24 IIIReview | Music Technology, Jul 1988Software for the Atari STThe latest version of the industry-standard Atari ST sequencing package. Simon Trask finds out if software is fulfilling its promise to keep abreast of the times. |
 ACES 27 Band Graphic EqualiserReview | Home & Studio Recording, May 1984 |
 Overwater Custom BassReview | International Musician, Sep 1985BasscheckIt's made out of wood, in England; it hasn't got a tremolo unit, but it has got a body and a headstock. Dave Burrluck marvels |
 Kurzweil K2000 Sampling OptionReview | Sound On Sound, Aug 1993We sample the delights of Kurzweil's long-awaited K2000 sampling option. |
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