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Interviews

Peter Gabriel Live

Feature | Topic: Live | Sound On Sound, Jul 1993
The Secret World Tour

A behind the scenes look at how Gabriel steamed up Earl's Court with his hot new stage show.

How to Calm Hysterics in Op-amps

Feature | Topic: Electronics / Build | Home & Studio Recording, Feb 1986

Ben Duncan explains instability... and he should know!

Ovation 1667 Acoustic Electric

Review | Electronics & Music Maker, Jun 1983

Map Rap

Feature | Topic: Sampling | Music Technology, Nov 1988

Turning a collection of samples into a usable keyboard patch is one of the most important aspects of sampling. Tom McLaughlin puts samples on the map.

Dave Bristow on the Yamaha DX7

Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983
Yamaha DX Keyboards

Dave Bristow, Yamaha’s keyboard consultant, explains how to play and programme these new FM synthesisers

The Transcontinental Midi Songwriting Shuffle

Feature | Topic: Computing, Sequencing | Sound On Sound, May 1989
MIDI Composition via Computer

The tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened.

Making waves

Feature | Topic: Acoustics, Construction / Build | The Mix, Aug 1994
Acoustic diffusers

What they are, how they work, why you need them

Rhine Gold!

Review | In Tune, Nov 1986
Warwick 'Thumb' Bass

All About Reverb

Feature | Topic: Effects Processing | Sound On Sound, Sep 1993

Boss DR550 MkII & DR660 Drum Machines

Review | Music Technology, Oct 1992
Boss Dr Rhythms

Two new Doctors, but will they make you feel good?

Tape Machines Line Up Here

Feature | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1986

Martin Goldman examines the dos and don'ts of tape machine maintenance.

America

News | Electronics & Music Maker, Dec 1983

Latest equipment news from the States

Pandora Technology Powertools M1 Editor

Review | Music Technology, Dec 1988
Software for the Atari ST

If you're looking for an easy approach to programming your new Korg M1 workstation, this Atari ST program could be for you. Vic Lennard goes to work with a mouse.

Déjà view?

Review | The Mix, Sep 1994
Voyetra Audio View

PC sample editor

Analogue Equipment Design - Part 4

Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Apr 1986

Ben Duncan goes on at length...

Oberheim Systemizer MIDI Performance Effect

Review | Music Technology, Apr 1989

If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system.

Steinberg Proteus Synthworks

Review | Music Technology, Sep 1990
Software for the Atari ST

When it comes to sound editing on today's synth modules, there's no alternative to using a software editor. Vic Lennard explores the benefits of Steinberg's editor for the E-mu Proteus.

Emu Systems Proteus

Review | Sound On Sound, Nov 1989

The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait.

Readers' Systems

Feature | Topic: Home Studio | Home & Studio Recording, Aug 1986
Absolute Beginners

Neville and Val Pearson pass on their experience in equipping a home studio. Following their advice could save you from making more than one costly mistake.

The Shape of Things to Come

News | Sound On Sound, May 1987

Our regular monthly exploration of upcoming new products.

Rhythm is a Quasar

Review Audio | The Mix, Oct 1994
Quasimidi Quasar

Multi-faceted synth module

Maximum headroom

Review | The Mix, Dec 1994
Behringer Composer and Autocom

Two models of compressor

Aphex Feel Factory

Review | Music Technology, Jun 1989

American company Aphex bring us a new concept in the "humanisation" of machine-generated music, in the form of their Feel Factory. Robert Rich finds himself in the world of grooves and Feel Algorithms.

Korg S3

Review | Sound On Sound, Jan 1991
Rhythm Workstation

With its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out.

Shape of Things to Come

News | Sound On Sound, Dec 1989

A colourful bonanza of newly released and forthcoming new products.

 

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