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Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Aug 1986Absolute BeginnersNeville and Val Pearson pass on their experience in equipping a home studio. Following their advice could save you from making more than one costly mistake. |
Emu Systems ProteusReview | Sound On Sound, Nov 1989The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait. |
The Shape of Things to ComeNews | Sound On Sound, May 1987Our regular monthly exploration of upcoming new products. |
Aphex Feel FactoryReview | Music Technology, Jun 1989American company Aphex bring us a new concept in the "humanisation" of machine-generated music, in the form of their Feel Factory. Robert Rich finds himself in the world of grooves and Feel Algorithms. |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
The BeatmasterPreview | Sound On Sound, Jan 1991Roland SPD8 Total Percussion PadRoland's latest 8-pad midi percussion controller adds internal sounds to a tried and tested formula. Paul Ireson checks it out. |
Shape of Things to ComeNews | Sound On Sound, Dec 1989A colourful bonanza of newly released and forthcoming new products. |
Celestion SL6 SpeakersReview | Home & Studio Recording, Jul 1984 |
Cheetah MD16Review | Music Technology, Mar 1991Drum MachinePossibly the most requested review in recent years, Cheetah's MD16 drum machine is finally here and ready for inspection. Simon Trask gives it a good beating. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jul 1984Recording Electric GuitarRecording electric guitar; the theory and practice behind miking up guitar amps. |
Roland R8Review | Home & Studio Recording, Mar 1989The new Human Rhythm Composer goes where no TR808 has gone before, into previously uncharted territories of feel and nuance. |
Analysing the SpectrumReview | Topic: Acoustics | Home & Studio Recording, Aug 1985Audiosource RTA1 Spectrum AnalyserDave Simpson takes a break from counting his savings to tell you what he's spending it all on. |
How It Works - Loudspeakers - Part 6Feature Series | Topic: Sound Fundamentals | Sound On Sound, Sep 1987Another in our 'How It Works' series. David Mellor kicks off a two-part investigation into the practicalities of bins, horns, tweeters and woofers. Baffled? You won't be once you've read this! |
Drum Programming - Part 1Feature Series | Topic: Drum Programming | Sound On Sound, May 1992A Series By Warren CannIf you use a drum machine or programme drum parts on your sequencer, chances are you need help. Warren Cann explains why in this introduction to his new series on drum programming. |
Mark Of The Unicorn MosaicReview | Sound On Sound, Jun 1992Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition. |
APRS Preview 1975Show Report | International Musician, Jun 1975 |
Technically SpeakingFeedback | Topic: Computing, Synthesis & Sound Design | Making Music, Jul 1987 |
Dr.T'S KCS AmigaReview | Sound On Sound, Oct 1991Level II V3.5Quality music software for the Commodore Amiga has been thin on the ground, but now there's at least one sequencer that can stand comparison to leading ST software. Paul Overaa checks out version 3.5 of Dr.T's KCS Level II. |
Music On The MacintoshFeature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992Software and HardwareNewer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface. |
Sony DPS-D7 Digital DelayReview | Sound On Sound, Nov 1991The Return Of The Single Effects Unit?David Mellor looks at an effects processor which can't produce three dozen effects simultaneously. Is this the start of a new trend? |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, May 1986Readers' patches for DX7, CZ101 and Bit One synths, and the Yamaha CX5M micro. Keep 'em coming... |