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Dr T'S T-BasicReview | Music Technology, May 1990Software for the Atari STUntil now writing MIDI software has been the preserve of a few dedicated individuals, but T-Basic offers to make MIDI programming accessible to the masses. Ian Waugh gets online. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Apr 1984Recording Vocals |
Casio FZ1 samplerReview | Making Music, Jun 1987 |
High Noon!Review | Sound On Sound, Feb 1989Steinberg 'Twelve' MIDI RecorderSteinberg have divided Pro24 roughly in half and have arrived at what may well turn out to be the best answer for many people starting out, namely a 'new' low-priced 12-track sequencer called Twelve. David Pickering Pick investigates. |
Fender GuitarsReview | International Musician, Oct 1985GuitarcheckThree of the new breed vetted by Dave Burrluck |
Hi-fiFeature | Electronics & Music Maker, Apr 1983Trends in Cartridge designModern trends in cartridge design |
Steinberg Pro24 IIIReview | Music Technology, Jul 1988Software for the Atari STThe latest version of the industry-standard Atari ST sequencing package. Simon Trask finds out if software is fulfilling its promise to keep abreast of the times. |
Circuit MakerFeature | Topic: Electronics / Build | Electronics & Music Maker, Apr 1983Sawtooth Processor, Graphic Oscillator |
Grey Matter Response E! BoardReview | Music Technology, May 1988For the DX7IIGrey Matter Response's E! expansion for the DX7 virtually gave it the power of the DX7II; E! for the DX7II represents another quantum leap in DX capability. Chris Many checks it out. |
ACES 27 Band Graphic EqualiserReview | Home & Studio Recording, May 1984 |
Lloyd Cole & The Commotions - PA ColumnFeature | Topic: Live | International Musician, Nov 1985Lloyd Cole and the Commotions take the high road to Glasgow; Stuart Gillan gets the lowdown |
dbx 150 Noise Reduction UnitReview | Home & Studio Recording, May 1984 |
Hard Disk Recording TricksFeature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Aug 1993 |
Steinberg CubaseReview | Sound On Sound, Aug 1989The new heir to the ST sequencer throne?After a change of name and a long wait, Steinberg's successor to Pro24 is finally here. Has it been worth the wait? David Hughes thinks so... |
SDA Promidi Studio SystemReview | Music Technology, Jul 1988Software for the IBM PCSystem Design Associates' Promidi Studio System is a powerful sequencing package for IBM and compatible computers that records straight to disk. Ian Waugh checks it out. |
Three of a kindReview Audio | The Mix, Aug 1994Sound module giant testE-mu Proteus FX, Korg X3R, Yamaha TG300 do battle |
Sheer QualityReview | Sound On Sound, Oct 1988Lexicon LXP1There can be few effects devices around as prestigious and as desirable as those made by Lexicon. Now, with the release of the LXP1 16-bit processor, the classic Lexicon sound becomes truly affordable. David Hughes tastes the quality... |
Is Small Beautiful?Review | Electronics & Music Maker, Jan 1986Rebis SamplerThe world’s best-known builder of modular studio effects has just introduced its entry in the sampling steeplechase. But will it fall at the first hurdle? Paul White has the answer. |
Finale - Part 2Review Series | Sound On Sound, Apr 1989The Best Music Program Ever?Part 2: Kendall Wrightson continues his pilgrimage through Finale, Coda Software's music transcription program for Apple Macintoshes (and soon PC compatibles), lingering at the Playback, Hyperscribe and Transcription tools. |
Roland E660Review | Music Technology, Oct 1988Digital Parametric EqualiserThe advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser. |
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