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Amiga NotesFeature | Topic: Computing | Sound On Sound, Aug 1992 |
Ensoniq MirageReview | In Tune, Jul/Aug 1985 |
Sample ShopReview | Sound On Sound, Jan 1993 |
Trace Elliot MP11Feature | Making Music, Sep 1987Programmable Pre-AmpTony Bacon takes a brief gander at a very fine programmable graphic pre-amp for basses and wonders when they'll all be like this. |
E-Mu Vintage KeysReview | Music Technology, Apr 1993Sound ModuleTake 20 classic keyboards into the shower? Now you can just trigger and go with E-mu's Vintage Keys sound module, provider of sampled keyboard sounds from the Minimoog to the Mellotron. But who would you have in goal?, asks Peter Forrest |
EMR Studio 24+Review | Music Technology, Oct 1989Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out. |
Concert ReviewMusic Review | Electronics & Music Maker, Mar 1983Stanley Clarke & George Duke, Pat Benatar and AMM |
Steinberg TopazReview | Music Technology, Feb 1990Computer Controlled RecorderOne of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio. |
The SpannerReview | Home & Studio Recording, May 1985 |
Live End - Part 2Feature Series | Topic: Live | Sound On Sound, Jun 1993National Music DayPart 2: Mike Lethby prepares for National Music Day. |
MonologueRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Aug 1991Arp Pro Soloist, Korg Sigma & Roland SH2000In the early days of analogue synths, reconciling electronics and expression was hard work. Gordon Reid looks at the beginnings of pressure sensitivity. |
Fret WorkFeature | Topic: Live, Maintenance / Repair / Modification | Sound On Stage, Dec 1996Could You Be A Guitar Tech? |
Son et LumiereFeature | Topic: Lighting, Live | Sound On Sound, Oct 1993Jean-Michel Jarre In ConcertWe go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together. |
When The Going Gets ToughFeature | Topic: Music Business | Music Technology, Nov 1986Recording your own music is only the first step to getting it heard; to do that, you need to deal with A&R people at record companies. Paul Tingen meets them, and discovers why so few bands succeed in impressing them. |
Master CutsFeature | Topic: Mastering | International Musician, Jul 1975The Master RoomCutting masters is a fine art. George Peckham discusses the problems |
Amiga NotesFeature | Topic: Computing | Sound On Sound, Dec 1993 |
WelcomeEditorial | Sound On Sound, Dec 1985 |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Aug 1975 |
HireFeature | International Musician, Nov 1975Where To Hire The Things You Cant Afford To BuyWhere to hire the things too expensive to buy. |
Studio 3DFeature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Dec 1975 |
Inside Views: AphexFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jan 1987Paul Gilby returns with the series that takes a behind the scenes look at companies and design personnel working in the field of music and recording technology. This month: Marvin Caesar, President of Aphex Systems USA - creators of the legendary Aural Exciter. |