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Interviews

Amiga Notes

Feature | Topic: Computing | Sound On Sound, Aug 1992

The Jay Arthur Column

Feature | Topic: Humour | Making Music, Jul 1987

trash can

Ensoniq Mirage

Review | In Tune, Jul/Aug 1985

Sample Shop

Review | Sound On Sound, Jan 1993

Trace Elliot MP11

Feature | Making Music, Sep 1987
Programmable Pre-Amp

Tony Bacon takes a brief gander at a very fine programmable graphic pre-amp for basses and wonders when they'll all be like this.

E-Mu Vintage Keys

Review | Music Technology, Apr 1993
Sound Module

Take 20 classic keyboards into the shower? Now you can just trigger and go with E-mu's Vintage Keys sound module, provider of sampled keyboard sounds from the Minimoog to the Mellotron. But who would you have in goal?, asks Peter Forrest

EMR Studio 24+

Review | Music Technology, Oct 1989

Still suffering from a dearth of software, the powerful Acorn Archimedes computer has yet to gain acceptance in music circles - will this sequencer help it on its way? Ian Waugh checks it out.

Knebworth Goes Supersonic

Feature | Topic: Live | Sound On Stage, Nov 1996
Oasis On Stage

Concert Review

Music Review | Electronics & Music Maker, Mar 1983

Stanley Clarke & George Duke, Pat Benatar and AMM

Steinberg Topaz

Review | Music Technology, Feb 1990
Computer Controlled Recorder

One of the prime forces for the 90s is sure to be digital recording and editing - as found in TOPAZ. Simon Trask previews a powerful new system from Steinberg Digital Audio.

Gloria!

Feature | Topic: Live | Sound On Stage, Dec 1996
Gloria Estefan live in Miami

The Spanner

Review | Home & Studio Recording, May 1985

Live End - Part 2

Feature Series | Topic: Live | Sound On Sound, Jun 1993
National Music Day

Part 2: Mike Lethby prepares for National Music Day.

Monologue

Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Aug 1991
Arp Pro Soloist, Korg Sigma & Roland SH2000

In the early days of analogue synths, reconciling electronics and expression was hard work. Gordon Reid looks at the beginnings of pressure sensitivity.

Fret Work

Feature | Topic: Live, Maintenance / Repair / Modification | Sound On Stage, Dec 1996
Could You Be A Guitar Tech?

Son et Lumiere

Feature | Topic: Lighting, Live | Sound On Sound, Oct 1993
Jean-Michel Jarre In Concert

We go backstage at Jarre's recent Wembley extravaganza to see how the show sound was put together.

When The Going Gets Tough

Feature | Topic: Music Business | Music Technology, Nov 1986

Recording your own music is only the first step to getting it heard; to do that, you need to deal with A&R people at record companies. Paul Tingen meets them, and discovers why so few bands succeed in impressing them.

Master Cuts

Feature | Topic: Mastering | International Musician, Jul 1975
The Master Room

Cutting masters is a fine art. George Peckham discusses the problems

Amiga Notes

Feature | Topic: Computing | Sound On Sound, Dec 1993

Welcome

Editorial | Sound On Sound, Dec 1985

Studio Diary

Feature | Topic: Recording Studios | International Musician, Aug 1975

Hire

Feature | International Musician, Nov 1975
Where To Hire The Things You Cant Afford To Buy

Where to hire the things too expensive to buy.

Studio 3D

Feature | Topic: Recording Studios | Electronics & Music Maker, Oct 1984

We highlight three recording studios that place the emphasis on music hardware rather than expensive recording equipment: in order of price, East London Community Studio, Hollow Sun, and Computer Music Studios.

Studio Diary

Feature | Topic: Recording Studios | International Musician, Dec 1975

Inside Views: Aphex

Feature | Topic: Design, Development & Manufacture | Sound On Sound, Jan 1987

Paul Gilby returns with the series that takes a behind the scenes look at companies and design personnel working in the field of music and recording technology. This month: Marvin Caesar, President of Aphex Systems USA - creators of the legendary Aural Exciter.

 

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