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"Good Drum Sound..."Feature | Topic: Recording | International Musician, Sep 1985What is one? Who has one? How can you get one? All these and more dealt with expertly by Bob Henrit |
Reader's Poll ResultsFeedback | Making Music, Jan 1987Who you (the readers) voted as best musician, and what you (still the readers) voted as best gear. We shake the world. |
The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
Back to BackFeature | Topic: Advertisement Feature | International Musician, Feb 1986 |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Jun 1986More cuttings from the sharp end of the Biz |
The SynclavierFeature | Topic: Design, Development & Manufacture, Digital Audio Workstations | Sound On Sound, May 1986New England Digital: A Company PhilosophyMost people have heard of the Synclavier but little is known about the company that produces it: New England Digital. Paul Gilby met up with its Vice-President, Brad Naples, who supplied us with a fascinating insight into the philosophy behind the development of this highly advanced digital recording system they call 'the Synclavier'. |
The News This WeekFeature | Topic: Humour | One Two Testing, Apr 1985True Storiesthat will amaze you |
Everything But The Kitchen... - Part 4Feature Series | Topic: Syncronisation | Electronics & Music Maker, Feb 1985We conclude our series on synchronisation by looking at Time Code and its applications in the video and music industries. Film editor Richard Atherton is your guide. |
OvertonesFeature | Topic: Marketing / Promotion | One Two Testing, Apr 1985Getting Publicitythe workings of the Press, and how YOU can get publicity out of them |
Korg DRV-2000 ReverbReview | Sound On Sound, Jun 1987Phil South discovers that room simulation is not incurable these days, thanks in part to this latest combined digital reverb and multi-effects processor from Korg. |
PPG Wave 2.3 and WavetermReview | Electronics & Music Maker, May 1984A special report on the latest versions of these successful German instruments. Review by David Ellis. |
Drummers Drumming - Part 8Feature Series | Topic: Live, Recording | One Two Testing, Apr 1985Balancing Kitsan even sound for your setup |
Record ProfitsFeature | Topic: Music Business | Music Technology, Dec 1988Who's making the cash out of record sales - the artist, the record company, the management, the record shops? David Bradwell investigates record royalties. |
EditorialEditorial | Topic: Computing | Electronics & Music Maker, Nov 1984Frankie says Extract Your Digits. But should we? |
Yamaha DMP7 Digital MixerReview | Sound On Sound, Jul 1987Digital Mixing ProcessorA fully automated, digital mixer with built-in multi-effects and full MIDI control for under £3,000? Hard to believe. David Mellor visits the Yamaha research and development centre in London to try out this amazing innovation in the flesh and discovers that the DMP7 is no fantasy! |
Trends In Pop & Rock Since The Birth Of A1 MusicFeature | Topic: Advertisement Feature | Electronics & Music Maker, Dec 1984 |
OvertonesFeature | Topic: Marketing / Promotion | One Two Testing, May 1985workings of the press part two; dealing with music papers |
Akai MG1214Review | Sound On Sound, Aug 1987No, this is not the rack-mounting version - it's a robust 14-track (at a push) multitrack recorder/mixer and computer-controlled patchbay rolled into one. Find out whether or not studio engineer Gareth Stuart reckons it could be a viable alternative to traditional reel-to-reel 16-track systems... |
French dressingNews | The Mix, Sep 1994 |