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Music Composition Languages - Part 2Feature Series | Topic: Computing | Electronics & Music Maker, Nov 1983Can computers improve or even replace current styles of notation? |
ToolboxNews Audio | The Mix, Jan 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Electro-Acoustic Music at HuddersfieldFeature | Topic: Education, Recording Studios | Electronics & Music Maker, May 1984The latest activities at one of the UK's lesser-known electro-acoustic music studios, put into perspective by its mentor, Phil Ellis. |
EditorialEditorial | Electronics & Music Maker, Jan 1984 |
Making the linkFeature Audio | The Mix, Feb 1995 |
Digidesign Sound ToolsReview | Sound On Sound, Aug 1989With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio. |
Computer Musician - RumblingsNews | Electronics & Music Maker, Jan 1984 |
Greengate DS:3 & Looping SoftwareReview | International Musician, Jul 1985SystemcheckThe Greengate goes loopy |
SoundchaserReview | Electronics & Music Maker, Jan 1984Digital Computer Music SystemA state of the art computer music system for Apple users. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Dec 1985And now the end is near, Adrian Deevoy pulls the final curtain |
New RealityFeature | Topic: Composing / Art | Sound On Sound, Nov 1989The story of a CDNot many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story... |
Namm Special ReportShow Report | Electronics & Music Maker, Aug 1984 |
How It Works - Noise Reduction - Part 4Feature Series | Topic: Effects Processing, Recording, Sound Fundamentals | Sound On Sound, Jun 1987David Mellor continues our 'How It Works' series with an investigation of the many ways available to help silence your recordings! |
LeaderEditorial | Home & Studio Recording, Jul 1986 |
Visual Editing SystemsFeature | Topic: Computing | Sound On Sound, Nov 1989Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates. |
A Shiftin' air affairFeature | Topic: Acoustics | The Mix, Jul 1994Bass TrapsPhone booths into concert halls - if you can ace your bass, that is |
Digidesign SoftSynthReview | Music Technology, Nov 1987Software for the Atari STSimultaneously making the transition from Mac to Atari ST and crossing the Atlantic, this software package gives sampling a new slant. Chris Jenkins boots it up. |
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Composer's Desktop ProjectReview | Sound On Sound, Feb 1990The CDP is a non profit-making co-operative formed by a group of professional composers and researchers at York University, whose intention was to create an affordable personal workstation — a ‘desktop IRCAM’ - on which to run powerful synthesis and signal processing programs. Richard Dobson reveals the power of this Atari ST-based system. |
Waiving the rulesFeature | Topic: Live | The Mix, Nov 1994Britannia RowA major hire company of legendary status |
Casio HZ600Review | Music Technology, Nov 1987Portable KeyboardBudget polysynth or home organ accessory? Casio attempt to find another gap in the market with Spectrum Distortion synthesis. Nicholas Rowland finds it's not too far from old-fashioned analogue. |
Clef Computer Band-BoxReview | Electronics & Music Maker, Jan 1983 |
Gamelan a ding dongFeature Audio | Topic: Location Sound | The Mix, Nov 1994Rugged adventures recording Balinese music |
Incoming DataNews | Music Technology, Nov 1992 |