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Interviews

CAMI - Part 2

Feature Series | Topic: Computing, Education | Electronics & Music Maker, Oct 1983

Review of various educational music programs from America

Editorial

Editorial | Home & Studio Recording, Aug 1985

Concert Reviews

Music Review | Electronics & Music Maker, Dec 1983

Judie Tzuke, Tangerine Dream, Depeche Mode, Dio

Making the Most of... - Part 4

Feature Series | Topic: Effects Processing | Home & Studio Recording, Aug 1985

The omnipresent Steve Howell passes on a few tricks of the trade. This month he examines ways in which you can transform a dry, lifeless synth sound into something soft and manageable.

Emerson

Feature | One Two Testing, Jul 1984

a life story

A Selective Survey of Lead Line Synthesizers

Feature | Topic: Vintage Instruments | Electronic Soundmaker, Sep 1983

Roland, Yamaha, OSCar, Syrinx, Teisco and Moog

The List

Feature | One Two Testing, May 1984
Nick Feldman

Nick Feldman chooses eight great tracks

Tape Machines Survey - Part 2

Feature Series | Topic: Buyer's Guide | Sound International, Jun 1978

A readable survey - this second part covering manufacturers from O to S.

Roland 106 vs Yamaha DX9

Review | Electronic Soundmaker, May 1984

Mutually exclusive?

Beyond E Major - Part 2

Feature Series | Topic: Tuition / Technique, Music Theory | One Two Testing, May 1984

Simple ways to chording

Microillusions Music-X

Review | Music Technology, Oct 1989

Commodore's Amiga computer is the beneficiary of this impressive - and colourful - sequencing package. Ian Waugh welcomes the illusion.

The Final Cut

Review | Electronic Soundmaker, Jul 1984
SynthAxe

Approx. £7,000 worth

Surviving Gigs

Feature | Topic: Live | One Two Testing, Jun 1984

don't panic

The Art Of Repetition

Editorial | Music Technology, Nov 1989

The non-musician has taken a lot of stick from his educated counterparts, yet he's contributed a lot to musical progress. What separates musicians and non-musicians?

The Moog Story

Review | Topic: Vintage Instruments | Sound International, Oct 1978
Keyboards

SI in association with Dave Crombie Productions Inc present The Moog Story, starring Robert A Moog...

Studio Diary

Feature | Topic: Recording Studios | International Musician, Sep 1975

Who's recording what where

Soundchaser Computer Music System

Review Audio | Electronics & Music Maker, Jan 1982

Music News

News | International Musician, Oct 1975

ART Multiverb III

Review | Music Technology, Aug 1990
ART Multi-fx Processor

As even the most modest MIDI studio becomes a powerful tool for the creation and recording of music, sound processing becomes a more essential part of it. Tim Goodyer checks out ART's latest multi-fx processor.

Convert Your Pygmy into an Electro-Larynx

Feature | Topic: Maintenance / Repair / Modification | Polyphony, Oct 1976

Wired For Sound

Review | Sound On Sound, Jul 1988
Lynex 16-bit Stereo Sampler

The division between sampler and digital recorder has grown even narrower with the release of the Lynex, a sophisticated manipulator of high quality, 16-bit stereo sounds that piggybacks onto any Atari ST computer. Ian Gilby takes the mouse by the horns...

British String Manufacturers

Feature | Topic: Design, Development & Manufacture | International Musician, Nov 1975

Tascam 688 Midistudio

Review | Music Technology, Nov 1990

Tascam caused a recording revolution when they introduced the world to the Portastudio, now their Midistudio line looks set to take musicians on another quantum leap. Nigel Lord moves into the 21st century.

This article has no OCR bodytext.On Cassette

Music Review | Electronics & Music Maker, Jan 1985

Just because we missed the column for a month, doesn't mean our readers have stopped sending us demo tapes. Ask Chris Heath, who's been sifting his way through the latest mountain of C60s.

Alchemy

Review | Sound On Sound, Aug 1988
Stereo Sample Editor for the Macintosh

Sampling keyboards have come a long way in the last three years, and as a result, the visual editing software available has rather fallen behind the specifications and features of current machines. Until now that is, with the advent of Alchemy from Blank Software, boasting a whole bunch of features new to computer-based sample editors. Paul Wiffen investigates.

 

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