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Inside ViewsFeature | Sound On Sound, Oct 1986Pressing RecordsPaul Gilby visits SRT Records & Tapes to unearth the 'inside views' of its managing director David Richardson, whose profound words shatter some of the illusions and myths that surround the record manufacturing industry. |
LeaderEditorial | Home & Studio Recording, Jun 1986 |
Current EventsNews | Polyphony, Jan/Feb 1981 |
Studio SceneFeature | Topic: Computing, Education, Recording Studios | Electronics & Music Maker, Feb 1984University of Surrey Electro-Acoustic Music StudioA look at the Surrey Sound electronic and computer music studio, scene of the Tonmeister degree course. |
Sound Designer 2000 SoftwareReview | Electronics & Music Maker, May 1986Digidesign's sound-editing software for the Emulator II has now been adapted for the Prophet 2000: Brian Devereux gives it the thumbs-up. |
Pet SoundsFeature | Topic: Humour | One Two Testing, Nov 1985useful companions of the animal kingdom |
Zoom 9120Review | Music Technology, Apr 1993Sound Environment ProcessorAnd still they come... more FX units than you can shake a MIDI lead at. Nicholas Rowland zooms in on the latest and tries to spot the difference. |
The Gentle Art Of Transcription - Part 1Feature Series | Topic: Computing | Electronics & Music Maker, Apr 1984Setting the ScenePart one of a survey of music-printing instruments. |
The New GenerationReview | Electronics & Music Maker, May 1986Commodore Music SystemIf you're a computer manufacturer and you've got excess stocks to sell, you switch the emphasis to music. That's what Commodore have done, as Chris Jenkins reports. |
Music Composition Languages - Part 2Feature Series | Topic: Computing | Electronics & Music Maker, Nov 1983Can computers improve or even replace current styles of notation? |
ToolboxNews Audio | The Mix, Jan 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Digidesign Sound ToolsReview | Sound On Sound, Aug 1989With a Macintosh computer and Digidesign's new CD-quality digital audio system, you can cut, splice, and create extended remixes to your heart's content. Paul D. Lehrman discovers what it is like to go tapeless in the studio. |
Electro-Acoustic Music at HuddersfieldFeature | Topic: Education, Recording Studios | Electronics & Music Maker, May 1984The latest activities at one of the UK's lesser-known electro-acoustic music studios, put into perspective by its mentor, Phil Ellis. |
EditorialEditorial | Electronics & Music Maker, Jan 1984 |
Making the linkFeature Audio | The Mix, Feb 1995 |
Computer Musician - RumblingsNews | Electronics & Music Maker, Jan 1984 |
Greengate DS:3 & Looping SoftwareReview | International Musician, Jul 1985SystemcheckThe Greengate goes loopy |
New RealityFeature | Topic: Composing / Art | Sound On Sound, Nov 1989The story of a CDNot many people would have the courage to give up a lucrative career in the jingles business in order to record and release their own CD. But that's precisely what Simon Renouf has done, and this is his story... |
SoundchaserReview | Electronics & Music Maker, Jan 1984Digital Computer Music SystemA state of the art computer music system for Apple users. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Dec 1985And now the end is near, Adrian Deevoy pulls the final curtain |
Visual Editing SystemsFeature | Topic: Computing | Sound On Sound, Nov 1989Most editing software is more user-friendly than digital parameter access, and more suited to the demands of editing complex digital synthesizers than traditional analogue controls. Greg Truckell investigates. |
Namm Special ReportShow Report | Electronics & Music Maker, Aug 1984 |
How It Works - Noise Reduction - Part 4Feature Series | Topic: Effects Processing, Recording, Sound Fundamentals | Sound On Sound, Jun 1987David Mellor continues our 'How It Works' series with an investigation of the many ways available to help silence your recordings! |