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The New Standard?Review | Sound On Sound, Nov 1988Akai S1000No-one can deny that Akai's S900 is the 'industry standard' sampler, having kept all newcomers at bay for well over two years. But now there's a new heir to the throne. David Mellor looks at the long-awaited 16-bit stereo, 16-note polyphonic S1000. |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, Mar 1986The readers' synth sound page, with patches for SCI Pro One, Yamaha DX7 and Casio CZ 101 instruments, plus reviews of anew DX RAM pack and another collection of sounds for sampling. |
Hollis MIDImanReview | Music Technology, Aug 1989Universal Patch Editor for Atari STFollowing on from the success of the Trackman sequencing software, Hollis Research have released a universal patch editor and librarian for the Atari ST. Ian Waugh finds the universe at his fingertips. |
Speech SynthesisFeature | Topic: Computing | Electronics & Music Maker, Oct 1983Vocal music on computers? |
The Human TouchFeature | Topic: Sequencing | Music Technology, Mar 1989The machines that stole the musicians' feel from your music are the same machines that you can now use to restore it - once you know how. Travis Charbeneau investigates the subtleties of the human touch. |
Dave Stewart's Music Seminar - Part 10Feature Series | Topic: Music Theory | Sound On Sound, Apr 1991No RhythmPart 10: No rhythm. Dave Stewart explains ways of making music Without That Insistent Backbeat. |
All Hail ValhalaReview | Sound On Sound, Mar 1992Studio Series Roland D110 Voice CardsSuper sleuth Simon Sanders finds himself hot on the trail of cool sounds for the Roland D110. Prime suspect: Valhala. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Mar 1985Reader Peter Forrest relates his delightful tales of woe. |
The Secrets of Computer Composition - Part 1Feature Series | Topic: Algorythmic Composition | Music Technology, Mar 1989The question "can computers write music" has never been more important than it is in 1989; what is an algorithmic composition program, and will it ever replace the human composer? Ian Waugh composes himself. |
Peavey XR 1200DReview | Music Technology, Oct 1993powered mixer + HiSys 2 monitorsA PA system you can take anywhere |
Kit vs KloneReview | One Two Testing, Jan 1983 |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
This Year's ModelReview | Music Technology, Jan 1988Korg DSM1 & E-mu SP1200Are the latest samplers from Korg and E-mu Systems really new instruments, or are they simply updates on old machines? Lorenz Rychner counts the bits and checks the clocks. |
Massive MemoryFeature | Topic: Computing | Music Technology, Feb 1988What's hard disk data storage, and what can it do for you? Stefan Lipson looks at the advantages of hard disks and how they can make your computer music system more efficient. |
Short CutsReview | Music Technology, Mar 1994Making Music Keyfax 4: Samplers & Controllers by Julian Colbeck Computer Manuals Windows Stuff Microsoft Forgot! by Ed Tiley Music Of Life George Clinton sample CD |
Kawai K4 & K4RReview | Music Technology, Dec 1989Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA. |
Tascam MTS30Review | Music Technology, May 1988MIDI SynchroniserAs tape synchronisation becomes an indispensable part of modern music making, the demand for cost-effective sync boxes grows... Simon Trask discovers that it takes more than Tipp-Ex on the tape to throw the MTS30 off the track. |
Short CutsReview | Music Technology, Apr 1994Computer Manuals: The Incredible Sound Machine by Mark Andrews, Cool Mac Sounds by Craig O'Donnell, Ontrack Computer Systems Rocket Drive software for the PC, Paramount Rock, Rap & Roll CD-ROM |