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Interviews

Sound Designer Universal

Review | Sound On Sound, Oct 1988

If you own several samplers or just want to transfer S900 samples into your mate’s FZ1, then this program will make life considerably easier. David Mellor creates some designer sounds with the Atari ST version of Digidesign’s universal sample editor.

Yamaha YD822

Review | International Musician, Sep 1985
Drumcheck

The big, bold, beautiful sound of a wooden-shelled, craftsman-made piece of drumming perfection — Bob Henrit

Shape Of Things To Come

News | Sound On Sound, Oct 1990

This month's colourful round up of new products to tempt and tantalise.

Drum Programming - Part 4

Feature Series | Topic: Drum Programming | Sound On Sound, Aug 1992
A Series By Warren Cann

In this month's instalment, Warren Cann circumnavigates his drum machine in search of the perfect song map.

Mixed Blesssings

Review | Phaze 1, Jul 1989
Dream Machine: Studiomaster 848r ProLine Mixer

the spotlight falls on the Studiomaster 848R mixer

The Shape Shifter

Review | Sound On Sound, Jan 1991
Digidesign MacProteus And InVision ProtoLogic

Kendall Wrightson looks at two new Proteus-related products — the ProtoLogic Sound Memory Expansion Unit from InVision, and Digidesign's MacProteus NuBus card for the Apple Macintosh II.

Fostex 2412

Review | Sound On Sound, Aug 1992
24-Channel Multitrack Mixer

Fostex's new 24-channel 12-group 2412 mixer packs big console features into a compact frame. Dave Lockwood tries it on for size.

Gibson Victory, Moderne

Review | One Two Testing, Dec 1982

De-Esser Project

Feature | Topic: Effects Processing, Electronics / Build | Home & Studio Recording, Aug 1986

Abolish sibilance with this well designed, cost-effective addition to the Tanrak.

Software Support

Feature | Topic: Computing, MIDI | Sound On Sound, Jan 1991
Hints, Tips & News From The World Of Music Software

More hints and tips from the world of music software.

Sample Shop

Review | Sound On Sound, Aug 1992

Groove guru Wile Smarties reports on the latest sample CDs.

Smoke: The Gossip Column

News | Making Music, Apr 1986

All the snippety little secret bits of musicians' gossip that no-one else would print

Adventures with Op-Amps

Feature | Topic: Electronics / Build, Maintenance / Repair / Modification | Home & Studio Recording, Nov 1986

String, sealing wax and solder combine to bring you circuits of appalling simplicity.

Recording Techniques - Part 15

Feature Series | Topic: Mixing, Recording | Sound On Sound, Feb 1991
The Mix (1)

Part 15. David Mellor looks at how to create the perfect mix.

Korg Poly 800 II

Review | Making Music, May 1986
Polyphonic synth

The Next Step

Review | Home & Studio Recording, Dec 1986
MTR 6:4:2

A budget 6:4:2 mixer that is neither short on features nor costs the earth.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Feb 1991
Hints, Tips & News From The World Of Music Software

More hints and tips from the world of music software.

Ghost In The Machine

Review | Sound On Sound, Dec 1992
Soundcraft Spirit Automated Mixer

Roland Alpha Juno One

Review | International Musician, Feb 1986
Synthcheck

Is small beautiful? Jim Betteridge knows

Fostex G24S

Review | Sound On Sound, Mar 1991
SSSH... From You Know Who

Following last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S.

Opcode Audioshop

Review | Sound On Sound, Jan 1993
Mac Audio Utility

Speaker to Me

Review | Micro Music, Apr/May 1989

Good music only sounds as good as the loudspeakers it s coming through. Can the NAD 8225 budget-priced speakers deliver the quality computer musicians need?

In-Ear Monitoring

Review | Sound On Stage, Nov 1996
Garwood System 3

Voyetra Sequencer Plus

Review | Sound On Sound, Mar 1991
Version 4

Brian Heywood evaluates the latest update to Voyetra's powerful PC-based sequencing program.

Up, Up And Away!

Review | Sound On Sound, Apr 1991
Zoom 9010 Advanced Sound Processor

A multi-timbral effects unit? David Mellor finds out that 'Advanced Sound Processor' can mean far more than just an ordinary multi-effects unit.

 

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