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On StageMusic Review | Electronics & Music Maker, Nov 1984A special report on the proceedings at this year's UK Electronica festival. Words by Tony Mills; pictures by Alf Annison, Stuart Catterson, Tony Mills and Chris Jenkins. |
Making New Age Music - Part 2Feature Series | Topic: Composing / Art | Recording Musician, Mar 1993In part two of this short series, David Etheridge looks at the role of effects and unusual chords in New Age music. |
Picture MusicFeature | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Dec 1984What goes on behind the apparently calm world of soundtrack-writing, by Steve Howell, who's been through it all himself. |
Trends In Pop & Rock Since The Birth Of A1 MusicFeature | Topic: Advertisement Feature | Electronics & Music Maker, Dec 1984 |
Commodore 64 - The Soft Way, The Hard Way, The MIDI WayFeature | Topic: Computing | Electronic Soundmaker, Jul 1984Floppy disks and tape, Microsound 64, SCI Model 64 |
Spatial AwarenessFeature | Topic: Effects Processing | Music Technology, Jan 1990Stereo imaging has come on a long way from simply panning instruments between two speakers to create the illusion of a band on stage. Ernie Tello looks into state-of-the-art sound processing and what it can do for music. |
Total Recall - Part 13Feature Series | Topic: Vintage Instruments | The Mix, Sep 1994including The A-to-Z of Analogue |
Electro-Music EngineerFeature | Topic: Design, Development & Manufacture | Electronics & Music Maker, Feb 1983PPGPPG designers interviewed |
Oberheim Matrix 1000Review | Music Technology, Aug 1988Synth ExpanderThe latest addition to Oberheim's classic Matrix range offers 1000 analogue-style synth sounds for under £500. Simon Trask investigates the attraction of analogue in '88. |
New MusicFeature | Sound International, May 1978Intro...An introduction to a series on "music in which people are doing interesting, and often strange, things". |
Zyklus MIDI Performance SystemReview | Sound On Sound, Feb 1988What the hell's a MIDI Performance System? David Mellor does his level best to explain. |
The Novatron RevisitedFeature | Topic: Vintage Instruments | Electronics & Music Maker, Feb 1983An instrument which has shaped today's electro-music |
Dr T's FingersReview | Music Technology, Oct 1988Atari ST SoftwareThe latest sequencer from the Dr T's stable takes interactive composition by the horns. Ian Waugh examines the software and the merits of mathematical music making. |
Oberheim PolyReview | Sound International, May 1978Dave Crombie checks out the Oberheim 4-voice polyphonic synth. |
Russ DX7 AI EditorReview | Sound On Sound, Apr 1988This low-cost program for the Atari ST uses Artificial Intelligence techniques to take all the hard work out of programming FM synths and allows you to create new ‘musical’ voices quickly and easily. David Hughes enters the edit zone... |
The Art Of RepetitionEditorial | Music Technology, Jul 1990They say everyone's got one good song in them, it's writing a second that determines whether the first was luck or not... But just how good a guide to the quality of music is the ability to repeat it? |
Industry Profile: Roland (UK) LtdFeature Audio | Topic: Design, Development & Manufacture | Electronics & Music Maker, Nov 1981 |
Chroma/Apple InterfaceReview | Electronics & Music Maker, Apr 1983Playing the Rhodes Chroma with the Apple II Sequencer |
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Magic, Mystery & MusicMusic Review | Sound International, Jun 1978 |
The SynclockFeature Audio | Topic: Electronics / Build | Electronics & Music Maker, Dec 1981Build this exciting sequencer for only £18 |
Concert ReviewMusic Review | Electronics & Music Maker, Apr 1983Helden, Laurie Anderson, Fad Gadget, The Enid |
First BornRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1991E-mu EmulatorThese days a few hundred pounds will buy you technology that once cost thousands. Gordon Reid looks at an early sampler and discovers there's more to it and its manufacturer than you might have known. |