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Of Men and MiceFeature | Topic: Computing | Sound On Sound, Aug 1987The world of music is being invaded by computers whether you like it or not. So what can they offer the musician? Mark Badger takes a sideways glance at the development and application of this burgeoning new technology. |
Shape Of Things To ComeNews | Sound On Sound, May 1991Yet another selection of recently announced new products to whet your appetite! |
High Noon!Review | Sound On Sound, Feb 1989Steinberg 'Twelve' MIDI RecorderSteinberg have divided Pro24 roughly in half and have arrived at what may well turn out to be the best answer for many people starting out, namely a 'new' low-priced 12-track sequencer called Twelve. David Pickering Pick investigates. |
PatchworkFeature | Music Technology, Dec 1991A collection of CDs which should be the sampler's delight are the stars of this month's Patchwork. If your music needs a boost from Ed Stratton, Coldcut or Pascal Gabriel, check out these disks. |
A&R SA200 Power AmpReview | Home & Studio Recording, Feb 1985 |
Vocal InfectionFeature | Topic: Tuition / Technique, Performing | One Two Testing, Nov 1985Voice Trainingvoice improvement and tips from the experts |
The Shape of Things to ComeNews | Sound On Sound, Sep 1987A chance to catch up on the new products you may have missed at last month's British Music Fair. |
How to Set Up a Home Studio - Part 3Feature Series | Topic: Home Studio | Sound On Sound, Feb 1989Soldering Techniques & Wiring LoomsPart 3: If you are a home studio builder, then sooner or later you are going to have to solder. And unless you like tangled cables, you will need to be able to make up your own wiring looms. David Mellor offers a man-in-the-street’s guide to simple and reliable wiring techniques. |
Digital RemasteringFeature | Topic: Restoration / Archival | Music Technology, Jul 1992Most of us have bought CDs bearing the label "digitally remastered", but how many of us appreciate what's happened to the music in the process. Tom Doyle exposes the power behind the remastering button. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Feb 1985Reader Mark Lowman tells of his X-15 exploits. |
Passport Master Tracks ProReview | Sound On Sound, Oct 1987A MIDI Control Program for the MacintoshPassport were one of the first US companies to offer music software for any computer. Richard Elen wades through the extensive features offered by their first music software release for the Apple Macintosh - a MIDI control program called Master Tracks Pro. |
Dr T's X-OrReview | Sound On Sound, Dec 1991Universal Patch Editor/LibrarianDr. T's universal patch editor/librarian makes the journey from Atari to Mac picking up a host of new features en route, as Kendall Wrightson discovers. |
WelcomeEditorial | Sound On Sound, Mar 1989 |
Re-samplingFeature | Topic: Sampling | Music Technology, Mar 1988Don't delete those unsatisfactory samples until you've tried resampling them. Tom McLaughlin explains how you can turn a bad sample into a good one. |
Making Records - Part 2Feature Series | Topic: Mastering, Tape, Vinyl, CD, DAT | Home & Studio Recording, Feb 1985MetalworkPart 2 deals with that crucial part of the record making process - the metalwork stage. |
OvertonesFeature | Topic: Live | One Two Testing, Nov 1985Gig Tacticsare bands forgetting how to play live |
Roland TR626Review | Sound On Sound, Nov 1987Rhythm ComposerThe TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates. |
The Hard EdgeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993Direct-to-disk recording explainedMT's guide to the theory and practice of the tapeless studio |
The Transcontinental Midi Songwriting ShuffleFeature | Topic: Computing, Sequencing | Sound On Sound, May 1989MIDI Composition via ComputerThe tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened. |
Sample ShopReview | Sound On Sound, Jan 1993 |
MusigraphReview | Music Technology, Jun 1988Software for the Atari STTired of using pencil and paper to write out your music? Fancy a hi-tech fix for your next composition? Ian Waugh scores a line (or five) with a new graphics-based music notation package from French company SARO. |