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Digital Audio WorkstationsFeature | Topic: Digital Audio Workstations | Sound On Sound, Apr 1988The coming of age of the Digital Audio Workstation has implications that go far beyond being simply another item of interest to electronic musicians. Craig Anderton brings us up to date on what’s happening at the top-end of the professional recording world and how it will affect us mere mortals. |
Hands On: Sound ToolsFeature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Nov 1991Ever wondered what its like to use Digidesign Sound Tools? David Mellor takes the driving seat of the world's favourite hard disk recording/editing system. |
Hard Disk Recording TricksFeature | Topic: Digital Audio Workstations, Recording | Sound On Sound, Aug 1993 |
Inside The Synclavier - Part 1Feature Series | Topic: Digital Audio Workstations, Vintage Instruments | Sound On Sound, Jun 1989PART 1: New England Digital's Synclavier is the world's most expensive musical instrument, bar the odd 300 year old Stradivarius. But more than that, it can be a recording studio, a post-production system, a music engraver, a scientific research tool... and more. The Synclavier is at the leading edge of musical technology. David Mellor sets out on a voyage of discovery. |
Inside the Synclavier - Part 3Feature Series Audio | Topic: Digital Audio Workstations | Sound On Sound, Aug 1989PART 3: What is it like to sit down at the Synclavier - the world's most expensive instrument - and create a piece of music? David Mellor finds out and tells the whole story. |
Radio DaysFeature | Topic: Digital Audio Workstations, Live, MIDI, Performing, Sequencing | Sound On Sound, Aug 1992Technology On The AirWhen Paul D. Lehrman was asked to use his technological expertise to help create a radio quiz show, he rose to the challenge — and discovered it was just about the best fun he could have standing up. |
The Digital MazeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Sep 1992MT shows you the best way out |
The Hard EdgeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993Direct-to-disk recording explainedMT's guide to the theory and practice of the tapeless studio |
The SynclavierFeature | Topic: Design, Development & Manufacture, Digital Audio Workstations | Sound On Sound, May 1986New England Digital: A Company PhilosophyMost people have heard of the Synclavier but little is known about the company that produces it: New England Digital. Paul Gilby met up with its Vice-President, Brad Naples, who supplied us with a fascinating insight into the philosophy behind the development of this highly advanced digital recording system they call 'the Synclavier'. |
The Synclavier Story - Part 3Feature Series | Topic: Digital Audio Workstations | Music Technology, Aug 1989PART 3: DIRECT-TO-DISK AND SYNTHESISIn the final part of our look at the latest models of the state-of-the-art Synclavier, Scott Wilkinson homes in on the Direct-to-Disk recording system. |
The Synclavier Story - Part 1Feature Series | Topic: Digital Audio Workstations | Music Technology, Jun 1989PART 1As Fairlight fight for survival the mighty Synclavier undergoes a dramatic upgrade. Chris Meyer takes us on the first of three tours of the new state-of-the-art Synclavier. |
The Synclavier Story - Part 2Feature Series | Topic: Digital Audio Workstations | Music Technology, Jul 1989PART 2: SEQUENCING AND NOTATIONIn the second part of MT's look at the powerful Synclavier system, Dan Rue and Scott Wilkinson embark on their very own fantastic journey into the heart of the beast to consider its sequencing and notation abilities. |
Wot... No Tape?Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992The Tapeless Recording Market SurveyThe tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress. |
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