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Gear
 1..2.. 3,4,5 - How To Bring Your Sounds AliveReview | Sound On Sound, Dec 1986Roland DEP-5 multi-effectsJulian Colbeck brings you the key facts on Roland's improvement on the SPX90. |
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 Beef It UpReview | Electronic Soundmaker, Jul 1985Roland SDE-2500 MIDI digital delayRoland's MIDI digital delay |
 Delay TacticsReview | Electronics & Music Maker, Oct 1985Roland SDE2500 DelayFollowing last month's excursion into the world of digital reverb, Paul 'Poodle' White puts the latest Roland DDL through its paces and assesses the results. |
 Expand your horizonsReview Audio | The Mix, Aug 1994Roland SDX330Stereo chorus with that 3-D feeling |
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 Roland Chorus Echo 555Review | One Two Testing, Nov 1983 |
 Roland DEP-3Review | Home & Studio Recording, May 1987Digital Effects ProcessorReverb and delay from Roland in the guise of the DEP-3, a scaled down version of the popular DEP-5. |
 Roland DEP-5 Multi Effects ProcessorReview | International Musician, Dec 1986Studio TestAn effective answer to Yamaha's SPX90? Jim Betteridge seems to think so |
 Roland DEP3Review | Music Technology, Jun 1987Digital Effects ProcessorA programmable reverb that also offers delay effects, or a multi-effects unit with reverb as its strongest suit? Paul White deciphers the latest box of treatment tricks. |
 Roland DEP5Review | Music Technology, Nov 1986Multi-effects UnitMulti-effects processors are all very well, but few of them allow you to use two different treatments in series. Paul White is blown away by the possibilities the technique offers. |
 Roland DEP5 Multi EffectsReview | Making Music, Oct 1986 |
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 Roland Dimension DReview | Home & Studio Recording, Jun 1984 |
 Roland E660Review | Music Technology, Oct 1988Digital Parametric EqualiserThe advantages of programmability and the power of MIDI spread further into the studio environment. Vic Lennard checks out Roland's programmable parametric equaliser. |
 Roland R880Review | Music Technology, Mar 1989Digital Reverb UnitDigital reverberation technology is recognised for making reverb units cheap, but the same technology means a little more money buys a lot more power. Vic Lennard reflects on the R880. |
 Roland RE3Review | Music Technology, Mar 1989Digital Space EchoWhen Roland made the most popular tape echo unit in the world they called it Space Echo - now they've revived it in digital form. Gordon Reid listens to echoes from the past. |
 Roland RSP550Review | Sound On Sound, Jul 1991Yet another sleek, black, 16-bit multi effects unit? Or does the new Roland RSP550 have something more to offer? Kendall Wrightson has the answer. |
 Roland SDE-2000Review | Electronics & Music Maker, May 1983 |
 Roland SDE-2500Review | International Musician, Jul 1985Studio TestCurtis Schwartz expands his programming power and refines his live sound with the Roland SDE-2500 MIDI Digital Delay |
 Roland SDE-3000 Digital DelayReview | Electronics & Music Maker, Mar 1984The very latest microprocessor controlled delay, offering flange and vibrato among its many features. |
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 Roland SDE3000 & SDE1000Review | One Two Testing, Nov 1983 |
 Roland SRV-330Review | Music Technology, Dec 1993Dimensional Space ReverbCan a stereo unit create 3D ambience? |
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