Review | Sound On Sound, Mar 1986Ensoniq Mirage Multi-SamplerManufacturers of keyboard samplers are now turning their attentions to the studio market by offering enhanced rack-mount versions of their products. Mark Jenkins waited anxiously at Heathrow for the first device to hit our shores - the budget-priced, 8-voice multi-sampler from Ensoniq. Read his report. |
Review | Phaze 1, Aug 1989Dream Machine: ensoniq EPS/EPSmthe all-singing all-dancing all-bankrupting Ensoniq EPS |
Review | Music Technology, Jan 1993Advanced Sampling RecorderBit of this, bit of that |
Preview | Music Technology, Aug 1988SamplerIt's nearly three years since Ensoniq struck it rich with the Mirage sampler. Simon Trask previews Ensoniq's new sampler and asks "can they repeat their success with the EPS?" |
Review | Music Technology, Oct 1988Performance SamplerIt's been a while in the pipeline but Ensoniq's successor to their popular Mirage sampler is up and running. Simon Trask checks out the latest "peoples' sampler". |
Review | Micro Music, Jun/Jul 1989Paul Wiffen takes an exclusive look a Ensoniq's latest offering in the field of sampling |
Review | Music Technology, May 1989Rather than keep the module-addicts happy with a rack version of their EPS sampler, Ensoniq have incorporated some attractive improvements into their EPS-M - like quadrupling its memory. David Bradwell liked it so much he bought it... |
Review | Music Technology, Feb 1991Digital Sampling WorkstationAfter a recent change in UK distribution, Ensoniq look set to increase their popularity with this upgraded version of their EPS sampler. Simon Trask likes what he samples. |
Review | Sound On Sound, Jun 1989Rack-Mount Sampler/SequencerA rack-mount version of the EPS was something Ensoniq swore they would never produce, but they have finally bowed to public pressure. Paul Wiffen looks at the extra memory, extra outputs and SCSI applications, and concludes it has been worth the wait. |
Review | In Tune, Jul/Aug 1985 |
Review | One Two Testing, Jun 1985sampling keyboard spectacular |
Review | Electronics & Music Maker, Jul 1985At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen. |
Review | International Musician, Apr 1985KeyboardCheckThe big sampling surprise from Frankfurt gets the Curtis Schwartz seal of approval |
Review | Electronics & Music Maker, Jan 1986Annabel Scott takes a look at what a reduction in price and an increase in facilities has done for the first budget sampling keyboard... |
Review | Sound On Sound, Feb 1988The ability to load new samples whilst playing is only one of many performance-related features which make the 20-voice EPS stand out from the current crowd of sampling keyboards. Craig Anderton reveals the others... |
Review | Music Technology, Sep 1993for Ensoniq EPS16+/ASR10Metro Sound Studiosamples sound disks for the Ensoniq EPS16+ and ASR10 |
Review | Electronics & Music Maker, May 1986Simon Trask takes a look at the Mirage's rack-mounting counterpart, and finds it even better value than the keyboard version. |
Review | Sound On Sound, Jan 1991Ensoniq EPS16 Plus Sampling WorkstationEnsoniq have transformed their 13-bit EPS sampling workstation with the addition of dynamically controlled 24-bit digital multi-effects, a much improved 16-track MIDI sequencer and full 16-bit sampling. The result is the EPS16 Plus. But does it pass? Kendall Wrightson invigilates. |
Review | Sound On Sound, Jan 1993Ensoniq ASR10 Stereo Sampling Keyboard |
Review | Electronic Soundmaker, Apr 1985MirageAn exclusive review of the Mirage Sampling Synth — A price breakthrough? |
We found these other (non-review) articles that are linked to this gear |
Feature Series | Topic: Sampling | Sound On Sound, Oct 1986Tony Hastings begins a new series of valuable hints and tips aimed at helping owners of Ensoniq Mirage samplers get the best from their instruments. |
Feature Series | Topic: Sampling | Sound On Sound, Nov 1986Back with another fascinating instalment of hints and tips, Tony Hastings offers further guidance to those Ensoniq Mirage owners wishing to develop their sampling skills. |
Feature Series | Sound On Sound, Dec 1986Tony Hastings brings you his third instalment of Mirage hints and tips which begins to unravel the confusion that surrounds the use of the MASOS functions - including 'ramp scaling'. |
Feature Downloads | Topic: Synthesizer Patches | Music Technology, May 1989A review of the Desert Island sample collection for the Mirage joins readers' own patches for the Roland D110, Ensoniq ESQ1 and Casio CZ5000 in this month's action-packed edition of Patchwork. |
Feature Downloads | Topic: Synthesizer Patches | Music Technology, Jun 1989A review of the Desert Island sample library for the Ensoniq EPS joins a selection of readers own patches for the Korg M1, Ensoniq SQ80 and Yamaha TX81Z in this month's Patchwork. |