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Kawai K1

Review | Music Technology, Jun 1988

Kawai's latest synthesiser combines samples with sounds created using additive synthesis. Simon Trask investigates what could be a new dimension in synthesiser technology.

Kawai K1 Synthesizer

Review | Sound On Sound, Jun 1988

Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is.

Kawai K1/K1M

Review | Music Technology, Mar 1988

Before you try to win one in our competition, this preview of Kawai's latest synth (and rack-mount alternative) should help whet your appetite.

We found these other (non-review) articles that are linked to this gear

Making The Most Of Your Kawai K1

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1990

How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast.


Feature | Topic: Synthesizer Patches | Music Technology, Jan 1989

A review of PA Decoder's D50 ROM Vol II joins patches for the Ensoniq ESQ1, Kawai K1 and Korg DW6000 in this months' selection of readers' sounds.

This article has no OCR bodytext.Prize Guys

Competition | Music Technology, Sep 1988

Find out if you're the winner of our Akai S700 sampler competition. Plus the winner of our Kawai K1 competition puts in a VIP appearance at the British Music Fair.



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