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Clares Rhapsody IIReview | Music Technology, Feb 1992Software for ArchimedesIf you're looking for computer scorewriting, Rhapsody could be what you need - as well as helping to save the Archimedes from musical oblivion. Ian Waugh gets to know Clare and Archie. |
Coda Music FinaleReview | Music Technology, Dec 1988Software for the Apple MacintoshPossibly the most sophisticated and powerful scorewriting program to date comes from American company Coda. Bob O'Donnell keeps the score. |
Composers PenReview | Micro Music, Feb 1990Paul Freeman gets composing with this notation package for the Amstrad |
Copyist IIIReview | Micro Music, Apr/May 1989Scorewriting packages are becoming more and more popular Clive Grace looks at Dr T's top of the range offering |
Digigram ProscoreReview | Music Technology, Jan 1991Software for the Atari STThe elite of ST scorewriting software is C-Lab's Notator and Steinberg's Cubase; their prices reflect this status. Ian Waugh makes the French connection and finds a cost-effective alternative. |
Dr T CopyistReview | Music Technology, Jun 1987Software for IBM PC and Atari STMusic transcription comes to Atari ST and IBM PC computers with this new program. Chris Many finds out if it does a better job than the human hand. |
Dr T's Copyist ApprenticeReview | Music Technology, Aug 1990Software for the AmigaDr T's programmers probably sieep as often as rust. Ian Waugh boots up the latest version of the successful Copyist scorewriting program - and finds that it's running on his Amiga. |
Dr.T's CopyistReview | Sound On Sound, May 1990Music Transcription ProgramWriting out full scores and individual parts for fellow musicians used to be a slavish occupation for a skilled select few. Now, with the benefit of low cost computers and music transcription programs like this one from DR.T, almost anyone can produce professional results that don't cost the earth. Amanda Stuart explores. |
Final ScoreReview | Electronics & Music Maker, Mar 1986Steinberg ScorewriterSimon Trask looks at how the Germans get computers to print out staves, notes and time signatures, and is suitably impressed. |
Finale - Part 1Review Series | Sound On Sound, Mar 1989The best music program ever?Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction. |
HB EngraverReview | Music Technology, Jul 1989Macintosh Notation SoftwareDesktop music publishing becomes a serious proposition with this sophisticated notation software for the Apple Mac. Dan Goldstein notates his way around the dots. |
Hybrid Arts EZ-Score PlusReview | Music Technology, Apr 1988Software for the Atari STThe first of a series of scoring programs for the Atari ST. Aaron Hollas checks out its extensive editing facilities and its compatibility with the company's sequencing programs. |
JMS ScorewriterReview | Electronics & Music Maker, Jan 1986A new software package for the Commodore 64 that puts step-time sequencing, recording and scorewriting in an elegant perspex box. Ian Waugh finds it transparently appealing. |
Laser Music ProcessorReview | Sound On Sound, Sep 1990David Mellor reviews this affordable music printing program for IBM PC compatibles, which is capable of producing very high quality scores. |
Mark Of The Unicorn MosaicReview | Sound On Sound, Jun 1992Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition. |
Mark of the Unicorn Professional ComposerReview | Sound On Sound, Nov 1986Software for Apple MacintoshOur resident Mac user Martin Russ steps his way enthusiastically through two of the best written software packages for the Apple Macintosh computer [in this part] - 'Professional Composer', a music transcription program. |
MOTU Professional ComposerReview | Music Technology, Jul 1992Macintosh Scorewriting SoftwareOne of the leaders of the Mac Pack is Mark Of The Unicorn's Professional Composer. Ian Waugh reports on the latest version of one of the leading Macintosh scorewriters. |
MusigraphReview | Music Technology, Jun 1988Software for the Atari STTired of using pencil and paper to write out your music? Fancy a hi-tech fix for your next composition? Ian Waugh scores a line (or five) with a new graphics-based music notation package from French company SARO. |
Passport Designs EncoreReview | Music Technology, Jun 1991Atari ST SoftwareAlready proven on the Macintosh, Passport's popular scorewriting program makes the transition to the humble ST. Ian Waugh likes the score and goes back for more. |
Passport Designs' EncoreReview | Music Technology, Mar 1990Software for Apple MacintoshPassport's Encore Mac scorewriting software aims to optimise music entry, playback and printing in one program. Mike Collins checks out the dots and the dot matrix. |
Passport Required?Review | Electronic Soundmaker, Aug 1985Passport MIDI/4, PolywriterTwo new software packages |
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