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Anatek Pocket SyncReview | Music Technology, Mar 1991As integration of musical and studio technology grows, the need for units like Anatek's new sync box grows. Synchronisation made easy with Vic Lennard. |
Audio Kinetics Pacer SynchroniserReview | Sound On Sound, Oct 1986The big boys of the synchronising world have sat back and observed the appearance of budget systems from Fostex and SMPL over the past six months. Now Audio Kinetics dip their not in considerable toe in the water with the launch of their own low-cost chase synchroniser system, the Pacer. David Mellor checks it out. |
Bokse CleverReview | Home & Studio Recording, Apr 1986Bokse US-8 SynchroniserThis British product solves a surprising number of interfacing problems between machines designed to run on different time code systems. Peter Roythorne investigates. |
Bokse SM-9Review | Home & Studio Recording, May 1987SMPTE Events ControllerThe increasing popularity of SMPTE has meant a corresponding growth in sync units. We take a look at this one from Bokse. |
Boss SBX-10Review | Home & Studio Recording, Jun 1986This little brother to the SBX-80 overcomes a host of syncing problems. |
C-Lab CreatorReview | Micro Music, Jun/Jul 1989One of the most popular professional sequencing packages for the ST gets the once over from John Renwick |
C-Lab Human TouchReview | Sound On Sound, Nov 1989Dave Lockwood reviews this aptly named add-on audio triggering unit for C-Lab's highly popular Creator/Notator sequencing system. |
C-Lab UnitorReview | Sound On Sound, Feb 1989SMPTE/EBU SynchroniserDavid Mellor reviews this SMPTE/EBU timecode unit dedicated to C-Lab's Creator and Notator sequencing and scorewriting software for the Atari. |
C-Lab Unitor 2Review | Music Technology, Mar 1992Atari ST SMPTE Synchroniser/MIDI InterfaceSynchronisation made easy - for Creator/Notator users, at least. Tim Goodyer locks into C-Lab's integrated SMPTE synchroniser and MIDI expander for the Atari ST. |
Fostex MTC1Review | Music Technology, Sep 1990MIDI Time Code ControllerWith sequencing and tape recording becoming equally important to many musicians, any means of integrating the two is likely to be a welcome development. Vic Lennard looks at a unit that allows Fostex' R8 to be operated from within Steinberg's Cubase. |
Friend Chip TCR1 Timecode RefresherReview | Music Technology, Feb 1992When The Stranglers had timecode trouble and the big studios couldn't help, the Time Code Refresher could - they liked it so much they bought one. Vic Lennard feels refreshed. |
Friendchip SRC/ATReview | Music Technology, Nov 1988MIDI SynchroniserIt's not the cheapest synchroniser money can buy, but it's sophisticated and flexible enough to become one of the most popular. Vic Leonard gets in sync. |
I Sync Therefore I AmReview | Sound On Sound, May 1992Micon Audio LMTC SynchroniserMicon Audio's LMTC Processor Controller Synchroniser does for owners of Tascam multitracks what the MTC1 did for Fostex users: integrates multitrack recorder control into the sequencer environment. Dave Lockwood gets that syncing feeling once more. |
In Triplet TimeReview | Electronic Soundmaker, Jan 1985Korg DrumsProlonging the percussive theme, a look at three very interesting products from Korg: Their value-for-money digital Super Percussion and Super Drums rhythm machines, plus the KMS-30 MIDI Synchronizer. |
J.L Cooper DataSyncReview | Sound On Sound, Oct 1993 |
J.L. Cooper PPS100Review | Sound On Sound, Jun 1989MIDI-SMPTE SynchroniserDavid Mellor, reviewer of the original J.L Cooper PPS1 'Poor Person's SMPTE' unit, looks at the new rackmount PPS100 - the Professional Person's SMPTE unit. |
Jellinghaus MIDI Synchroniser & InterfaceReview | One Two Testing, Mar 1986Links and syncs for synths |
JL Cooper PPS1Review | Music Technology, Dec 1987Tape-to-MIDI SynchroniserAn American cost-effective alternative to SMPTE synchronisation; Rick Davies clocks an innocent-looking box designed with the budget studio in mind. |
Korg KMS30Review | Electronics & Music Maker, Feb 1985MIDI SynchroniserAnd on a less spectacular scale, Korg introduce a synchroniser that won't break the bank, though it'll still crack a lot of problems, as Trish McGrath finds out. |
Look No Hands!Review | Home & Studio Recording, Oct 1986Audio Kinetics Master Mix and Q-lockFull automation for any engineer who feels himself in need of twenty fingers when it comes to the mix. |
MIDI FXReview | Electronics & Music Maker, Jun 1985For what was supposed to be a universal interface, MIDI has trouble enough staying in touch with itself, let alone the outside world. Tim Goodyer looks at four auxiliary units that set out to improve matters. |
MPC Sync TrackReview | Electronics & Music Maker, May 1984Paul White (again) on the latest Cambridgeshire black box - this one syncs drum machines and sequencers to tape. |
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