Chris Jenkins and Simon Trask examine the musical implications of Commodore’s 16-bit monster computer. Will it be simply a haven for the gamesters and the accountants, or will it find a place on the shelves of music shops?

David Ellis buys a Commodore Amiga and looks at the latest software written for it. The music is good, the graphics are better - but what does the future hold?

The Commodore Amiga range of computers have been conspicuous by their absence from this magazine's pages - but not any more! The Amiga has always been a great graphics machine, but it is equally talented when it comes to making music. In fact, its onboard sound chip is one of the best around. Phil South delivers a quick guide to making music on the Amiga.

THE COMMODORE AMIGA

You hear so much about (and from) the Atari ST that it's tempting to believe it's the only computer used for making music. Michael Brooke takes a look at a powerful alternative - Commodore's Amiga.

Julian Woodford takes us across the sea to bring us a report on the state of MIDI in Canada