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Review | Sound On Sound, Apr 1989
Akai S1000PB 16bit Stereo Sample Player with SWM and Workstation Disks
Do you find the idea of sampling your own sounds unappealing? Why not settle for a high quality replay-only sampler like the Akai S1000PB and spend the money you save on more library disks? Paul Ireson checks out the machine and Akai's newly launched set of Workstation and SWM disks.
Review | Music Technology, Feb 1993
Akai's new 3000 Series sampler range - the MT guide
The brand new heavies previewed
Review | Music Technology, Sep 1993
CD-ROM sample player
The CD Side of sampling.
Review | Sound On Sound, Sep 1992
S1100 Expansion Unit
If a single S1100 isn't enough for you, Akai's S11OOEX offers an easy way to expand your sampling power. David Mellor meets an ideal partner for his main studio sampler.
Review | Sound On Sound, May 1992
Peavey SP Sample Playback Synthesizer
Martin Russ takes a close look at Peavey's long-awaited DPM SP dedicated sample player, and its sample input partner the DPM SX.
Review | Sound On Sound, Nov 1992
Sample Expander For Korg M1
Review | Music Technology, Feb 1987
Sample Replay Unit
In a musical climate dominated by preset sounds, why not produce a rack-mounting unit that simply replays other people's samples? Paul Wiffen analyses Oberheim's attempt at doing just that.
Review | Sound On Sound, Jul 1987
Instead of following other keyboard manufacturers sheep-like into sampling machines, Oberheim have come up with a unique device which doesn't sample but replays disks from several other samplers. Paul Wiffen investigates.
Review | Music Technology, Aug 1992
Sampling bit by bit.
Review | Music Technology, Dec 1993
The SP is the playback/editing and memory bit; the SXII does the recording. Peavey rewrite the rules of sampler design.
We found these other (non-review) articles that are linked to this gear:-
Feature | Topic: Sampling | Music Technology, Jul 1987
Leading the battle against planned obsolescence are the sampler manufacturers, whose machines receive updates almost monthly. We re-test three samplers to find out how they've changed.
Competition | Sound On Sound, Mar 1989
Competition | Sound On Sound, Apr 1989