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Gear
 C-Lab MidiaReview | Music Technology, May 1991Intended to help you find your way around MIDI, Midia forms part of C-Lab's educational ST software programme. Ian Waugh finds it indispensable as a MIDI monitor. |
 MousterpieceReview | Sound On Sound, Sep 1989If you’re tired of playing keyboards and want a more imaginative way to create music, then this mouse-driven MIDI controller may prove an ideal alternative. Martin Russ investigates. |
 Opcode MAXplayReview | Sound On Sound, Aug 1992MIDI Utility SoftwareMAXplay opens a window on a world of MIDI applications, including MIDI analysers, harmonisers, editor/librarians and much, much more. Kendall Wrightson investigates. |
 SONUS Sequencer & Data EditorsReview | Music Technology, Jul 1987Software for the Commodore 64In an exclusive review, Rick Davies tests three Commodore-based packages from an American company whose programs are new to the UK. Do they stand up against stiff competition? |
 The Max FactorReview | Sound On Sound, Jul 1991Opcode Max SoftwareOpcode's Max is an Apple Macintosh based graphical programming environment primarily aimed at manipulating MIDI data. It's also highly addictive as Kendall Wrightson discovered. |
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