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Central ControlReview | Electronics & Music Maker, Aug 1986Ensoniq ESQ1 PolysynthThe Mirage people announce a synth that uses analogue and digital technology, throws in a multitrack sequencer, and costs just over £1000. Paul Wiffen checks it out. |
Ensoniq ESQ-1Review | Sound On Sound, Aug 1986A multitrack sequencer with a built-in synth or a velocity-sensitive 8-voice polysynth with a built-in 8-track step/real-time MIDI sequencer? Tony Hastings tries to make up his mind about this versatile and well-priced instrument. |
Ensoniq ESQ1Review | International Musician, Oct 1986SynthCheckEnsoniq's new baby gets a warm welcome from Tony Mills. |
Here In Black & WhiteReview | Electronics & Music Maker, Nov 1985Korg DW8000 PolysynthKorg's flagship poly gets a touch-sensitive keyboard, a built-in DDL, and a lot more besides. Simon Trask concludes it’s what the DW6000 should have been all along. |
Korg DW6000Review | Electronics & Music Maker, Mar 1985Programmable Digital Waveform PolysynthAn intriguing new synth design that tries to combine digital waveform generation with analogue control. Does it achieve its objectives? Dan Goldstein thinks it does - just. |
Korg DW6000Review | International Musician, Apr 1985SynthcheckDigital programming of digital waveforms at your fingertips |
Korg DW8000Review | International Musician, Feb 1986SynthCheckTony Mills toys with the latest Korgi and gets enthusiastic |
Making WavesReview | Electronic Soundmaker, Apr 1985DW-6000An analog poly that rivals the DX? Korg's DW6000 might be the one... |
OSC Advanced Sound GeneratorReview | Electronics & Music Maker, Mar 1985Computer Music SystemGerry Queen brings us an exclusive preview of what will be Britain's first custom-designed computer music system - from the people who brought you the OSCar monosynth. It's capable of combining analogue, digital and sampled sound sources, and it's cheap. |
OSCar SynthesiserReview | Electronics & Music Maker, Aug 1983 |
OSCar UpdateReview | Electronic Soundmaker, Jan 1985MIDI OSCarA marriage made in heaven, as OSCar gets MIDI... we attend the reception. |
PPG Wave 2 SynthesiserReview Audio | Electronics & Music Maker, Jul 19818-Voice Polyphonic Digital Synthesiser with 8-Track Digital Sequencer |
PPG Wave 2.3 and WavetermReview | Electronics & Music Maker, May 1984A special report on the latest versions of these successful German instruments. Review by David Ellis. |
Prophecy FulfilledReview | Electronics & Music Maker, May 1986Prophet VSIs Vector Synthesis the answer to every programmer's prayers, or another technological blind alley getting in the way of music? Peter Schlesinger takes a long hard look at the digital Prophet. |
Sequential Prophet VSReview | International Musician, Aug 1986SynthcheckFingers on the joystick. Tony Mills at the controls |
Sequential Prophet VS PolysynthReview | Electronics & Music Maker, Mar 1986An exclusive preview of Sequential's first-ever digital synth: Paul Wiffen reckons it's been worth the wait. |
Sequential's Prophet VS...Review | Sound On Sound, Jul 1986The new-wave sound...'The first genuinely NEW keyboard since the DX7' proclaims our review. Mixing four different waveforms together in a technique christened 'vector synthesis', Sequential's new baby can create some stunningly different synth sounds. Could it be what the market's looking for? Mark Jenkins reports. |
The OscarReview | Music UK, May 1983A synth called OSCAR — Dave Crombie unveil's Britain's latest challenge |
The Synths Of The Year ShowReview | International Musician, Dec 1985SynthcheckYamaha DX7, Casio CZ5000, Juno 106, Korg DW6000, 30 to 1 the field. Commentator, Tony Mills |
Wersi MK1Review | Electronics & Music Maker, Jul 1986Simon Trask gets a sneak preview of this German organ manufacturer's first venture into the pro-synth market. |
Wersi MK1 SynthesiserReview | Music Technology, Nov 1986Polyphonic SynthesiserSimon Trask follows up our earlier preview of Wersi's first polyphonic synth, with a full review that delves deeper into the possibilities of additive synthesis. Is it too complex to use? |
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