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Review | Sound On Sound, Feb 1987
Want to know how the electret principle functions? Or the difference between pressure and pressure-gradient microphones? Then read the review, as recording engineer Gareth Stuart field tests the most recent additions to the famous Beyer range.
Review | Recording Musician, Oct 1992
AKG Tri-Power Microphones
A new range of stylish dynamic microphones, with models to suit most instrumental applications.
Review | Home & Studio Recording, Sep 1984
Review | Electronics & Music Maker, Jan 1982
Review | Sound On Sound, Nov 1993
MD511 • MD512 • MD515 • MD516
Review | Home & Studio Recording, Jul 1984
Review | Sound On Sound, Mar 1990
Shure’s SM58 and SM57 microphones are recognised industry standards. Although many rival manufacturers have tried to improve on these classics, all have seemingly failed. Now Shure themselves are attempting to go one better with their recently introduced Beta models. Dave Lockwood sees how they fare in comparison.
Review | Recording Musician, Aug 1992
AKG, Beyer, Sennheiser Back-Electret Microphones
Three top name, back-electret mics that turn in a professional performance at a semi-pro price, rounded up by Paul White.