Electronics & Music Maker - July 1985
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If it’s news, you’ll read it here first. |
Another dip into the E&MM postbag. |
Mistaken IdentityThe critic under criticism. |
At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen. |
Two manufacturers follow their already established polysynths with keyboardless voice expanders. Trish McGrath puts the Chase Bit 01 and Siel Expander 80 through their paces. |
Programmable digital drum machineFollowing the Drumtraks in vocation and the MAX in appearance comes TOM, Sequential’s latest. Simon Trask finds out if reverse drum samples really do have a use. |
All-digital Programmable PolysynthA British-built additive synthesis instrument with multiple keyboard splitting and overlaying, and up to 16 voices at its command. A dream come true? Simon Trask has the answer. |
MIDI-controlled Sampling DelayKorg’s latest digital delay looks like any other - but it offers comprehensive MIDI-controlled sound-sampling facilities. Tim Goodyer checks it out. |
This month’s Checklist turns its attention to the world of electronic drum kits and drum machines. Price guides will never be the same again. |
Record reviews, readers’ tapes, gig and video reviews - they’re all here as E&MM’s new music feature expands its critical horizons. |
Moraz and Bruford Embrace the New | Patrick Moraz, Bill BrufordPatrick Moraz and Bill Bruford, two of music’s best-established virtuoso players, talk about their two-year relationship and a new LP. Interview by Dan Goldstein. |
Level 42Level 42 keyboardsman Mike Lindup takes a break from recording of the next album to talk to Tim Goodyer about Fairlights and Synclaviers, among other things. |
Zeus B HeldGerman producer Zeus B Held - the man behind the name - shares sampling secrets and delaying tactics with Tim Goodyer. |
A sneak preview of what you can expect to see at this year’s British Music Fair - the first to open its doors to the public for years. |
...of an English kit builder.An insight into the problems and pleasures of constructing electronic music kits - by Godric Wilkie, who’s built hundreds. |
The readers’ synth sound page. This month, ever more resourceful patches for the Yamaha DX7 and Roland Jupiter 8 polysynths. |
Steve Howell puts sex, murder and intrigue to one side to make way for a study of modulation in its many and various forms. |
Hyped up about hype. David Ellis challenges hi-tech advertising. | Featuring sequencer software for the IBM PC from Octave Plateau, Sight & Sound’s Music Processor software for the CBM64 and a music-copying program in use at Oxford University’s Music Faculty. | 16-bit Home ComputerNot just another home computer; more like the future of the entire domestic micro industry, not to mention the MIDI software one. Simon Trask has the details. | The Music 500 receives an AMPLE voicing and sequencing program to tempt junior programmers into getting their feet wet. | Software for Apple II and Commodore 64Sequencing software aimed at the Apple II and CBM64. Four- and eight-track versions receive expert scrutiny from David Ellis. | MIDI Hardware and Software for RS232 Interface StandardA MIDI utility hardware and software package for any RS232-equipped micro. Review by Simon Trask, who’s thinking of having RS232 fitted to himself. | Latest news from E&MM’s own music software division. |
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