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Tape Echo EffectsFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Feb 1984Studio Sound TechniquesTape echo techniques for reel-to-reel machines. |
Constructing a 'floating' studio floorFeature | Topic: Construction / Build | Home & Studio Recording, Mar 1984Acoustics |
Applied Microsystems Spin TimeReview | Home & Studio Recording, Apr 1984 |
Tape Editing TechniquesFeature | Topic: Recording, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1984An extensive step-by-step guide to correct editing. |
Accessit Sound Processor UnitsReview | Home & Studio Recording, Apr 1984Dual Sweep EQ & Stereo Reverb |
Building A Control Room WindowFeature | Topic: Acoustics, Construction / Build | Home & Studio Recording, May 1984Control room window design. |
Tape LoopsFeature | Topic: Effects Processing, Recording, Tape, Vinyl, CD, DAT | Home & Studio Recording, May 1984Studio Sound TechniquesMaking tape loops. |
Anatomy Of A Studio - Part 1Feature Series | Topic: Sound Fundamentals | Home & Studio Recording, Jun 1984The MixerA brand new series that delves into the intricacies of studio equipment. Part 1: The Mixer. |
Tape Track FormatsFeature | Topic: Tape, Vinyl, CD, DAT | Home & Studio Recording, Jul 1984A rundown on the various 'head' formats available on tape recorders and the reasons for their existence. |
Anatomy Of A Studio - Part 2Feature Series | Topic: Home Studio, Recording Studios, Sound Fundamentals | Home & Studio Recording, Aug 1984Studio WiringStudio Wiring - how to interconnect all that equipment you've been buying. |
Fostex MN-15 Mixer/CompressorReview | Home & Studio Recording, Sep 1984 |
Sound Absorbers - Part 1Feature Series | Topic: Acoustics | Home & Studio Recording, Sep 1984AcousticsThe function of 'sound absorbers' and how to build a sound absorbent wall box. |
Akai GX-4000D Reel-to-ReelReview | Home & Studio Recording, Oct 1984 |
Sound Absorbers - Part 2Feature Series | Topic: Acoustics | Home & Studio Recording, Oct 1984AcousticsThis month an explanation of the function of the Helmholtz Resonator. |
From 24 tracks to 8Interview | Home & Studio Recording, Oct 1984Founder of Ultravox and owner of The Garden Studio, John Foxx talks about all aspects of his recording methods and highlights the technological changes that have caused him to rethink the way he composes. |
Sound Absorbers - Part 3Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1984AcousticsSound Absorbers Part 3. The final part deals with acoustic treatment of the studio floor and ceiling. |
Mix-It-Yourself Porta-studio SingleFeature | Topic: Marketing / Promotion | Home & Studio Recording, Dec 1984TLO Records recently released a single by Bonaventura in the form of a four track Portastudio-compatible cassette that you can mix yourself. Could it be a new trend for the future? |
Seck Model 1882 MixerReview | Home & Studio Recording, Mar 1985 |
Return To Zero - Part 2Feature Series | Topic: Recording | Home & Studio Recording, Mar 1985Following on from last month's glossary of terms, we begin our run through the complicated business that is recording, with a back-to-basics approach to setting record levels. |
Using MicrophonesFeature | Topic: Microphones | Home & Studio Recording, Apr 1985Which Microphone?Which Microphone? We take eight mics from Shure's successful PE Series and subject them to some rigorous practical tests - with surprising results. |
Return To Zero - Part 3Feature Series | Topic: Recording | Home & Studio Recording, Apr 1985Noise Reduction SystemsAn explanation of the most common noise reduction systems in audio use, including Dolby A, B, C, and dbx. |
Clue DataReview | Sound On Sound, Nov 1985Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story. |
The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
Effective Automation - Part 1Feature Series | Topic: Effects Processing, MIDI, Mixing | Sound On Sound, Dec 1985Creative mixing with MIDI controlled effectsPaul Gilby takes a look at the first MIDI controlled effect - Yamaha's D1500 which heralds a series on creative mixing with MIDI controlled devices. |
Aphex Type C: Instant Excitement!Review | Sound On Sound, Dec 1985EXCLUSIVE: Paul Gilby examines the very latest American audio invention for removing cotton wool from your ears! |
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