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Slap 'n' TickleReview | Sound On Sound, Apr 1986High quality sampled bass sounds that you can play from any MIDI keyboard, sequencer or drum machine are offered by the 360 Systems MIDI BASS. Tony Hastings assesses its performance. |
The Professional's ChoiceFeature | Topic: Sequencing | Sound On Sound, Apr 1986Steinberg Pro16 MIDI SequencerTony Hastings takes you through the recording of a song using the facilities of the Pro 16 MIDI Sequencer software from Steinberg Research. |
Thinking Of Going 24-Track?Review | Sound On Sound, Jul 1986Software for the Atari STIf your studio's musical output is largely synthetic in nature and you are considering an increase in tracks, then Steinberg Research's Pro-24 recording software for the Atari 520ST micro could prove a better option than a conventional tape recorder. Tony Hastings tells why. |
Inside Views: Steinberg ResearchFeature | Topic: Design, Development & Manufacture | Sound On Sound, Jul 1986The first in a new series that takes a behind the scenes look at companies specialising in the development of hi-tech music and recording products. This month Tony Hastings catches the night boat to Hamburg to report on MIDI software designers Steinberg Research. |
Ensoniq ESQ-1Review | Sound On Sound, Aug 1986A multitrack sequencer with a built-in synth or a velocity-sensitive 8-voice polysynth with a built-in 8-track step/real-time MIDI sequencer? Tony Hastings tries to make up his mind about this versatile and well-priced instrument. |
Ensoniq SDP-1Review | International Musician & Recording World, Sep 1986KeyboardCheckTony Hastings and Paul Trynka assess the latest entrant into the increasingly competitive sampled piano stakes |
Making The Most Of Your Mirage - Part 1Feature Series | Topic: Sampling | Sound On Sound, Oct 1986Tony Hastings begins a new series of valuable hints and tips aimed at helping owners of Ensoniq Mirage samplers get the best from their instruments. |
On The Flight Deck at Terminal 24Feature | Topic: Recording Studios | Sound On Sound, Oct 1986If you've the tenacity to take on and beat the (ex-)GLC, then putting together an upmarket 24-track studio is a piece of cake! Tony Hastings visited this South London studio to glean the details of how it came to be and what it offers. |
Making The Most Of Your Mirage - Part 2Feature Series | Topic: Sampling | Sound On Sound, Nov 1986Back with another fascinating instalment of hints and tips, Tony Hastings offers further guidance to those Ensoniq Mirage owners wishing to develop their sampling skills. |
Alesis MPXReview | Sound On Sound, Dec 1986MIDI Patch TransmitterThis latest add-on for the popular MIDIVERB and MIDIFEX lets you control the effect patch selection remotely by hand. Tony Hastings wishes he had thought of the idea first. |
Closer To The EditReview | Sound On Sound, Dec 1986Mirage Visual EditorOur resident Mirage expert Tony Hastings checks out this useful means of improving the sample manipulation facilities of the Mirage - in the form of a software package from Steinberg Research. |
Making The Most Of Your Mirage - Part 3Feature Series | Sound On Sound, Dec 1986Tony Hastings brings you his third instalment of Mirage hints and tips which begins to unravel the confusion that surrounds the use of the MASOS functions - including 'ramp scaling'. |
Making the most of your Mirage - Part 4Feature Series | Topic: Sampling | Sound On Sound, Jan 1987Tony Hastings brings his enjoyable series of hints and tips to a close with a look at the Mirage's final four MASOS functions. |
Soundworks S900 Visual EditorPreview | Sound On Sound, Feb 1987Software for the Atari STAfter his recent jaunt on BBC TV's 'Micro Live' show, Atari ST owner Tony Hastings tries out Steinberg Research's new editing software for the Akai S900 sampler. |
Simmons SPM8:2 MIDI MixerReview | Sound On Sound, Apr 1987A mixer from Simmons? Why not? The application of MIDI control to audio mixers is resulting in a radical departure from traditional designs, as Tony Hastings found out when he road-tested the SPM8:2 recently. |
The First Commission - Part 1Feature Series | Topic: Composing for Business | Sound On Sound, May 1987Part 1. Regular contributor Tony Hastings recounts a personal tale of how a lucky break resulted in his first commission in the lucrative world of advertising jingles and soundtracks. |
The First Commission - Part 2Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Jun 1987Tony Hastings provides plenty of inside information as he concludes his tale of how a lucky break resulted in his first commission in the lucrative world of advertising jingles and soundtracks. |
Making The Right ConnectionReview | Sound On Sound, Aug 1988MX8 MIDI Patchbay/ProcessorWith so many low-cost MIDI-equipped units around, the days when you could make do with a Thru box and a few cables are long gone. A MIDI patchbay is now an essential purchase, and one of the best is the MX8 MIDI Patchbay/Processor from Digital Music Corp. Tony Hastings checks it out. |
Life In The Fast LaneReview | Sound On Sound, Aug 1988Korg M1 Music WorkstationAs Korg prepare an armada of new products to invade the music shops, Tony Hastings investigates the M1 Music Workstation - the flagship that looks set to blow a lot of the competition out of the water. |
Sounding OffOpinion | Sound On Sound, Jul 1989A Punter's Eye ViewMusician, ‘superstar’ and SOS contributor Tony Hastings has a right old go at equipment manufacturers and music shops. |
Born AgainReview | Sound On Sound, Oct 1989Rhodes MK80 PianoThe Rhodes electric piano features on countless classic tracks, and is one of the most imitated keyboard sounds of all time. Now Rhodes are back, with a new keyboard that updates a classic sound with all the benefits of contemporary MIDI technology. Tony Hastings checks it out. |
Tascam MM1Review | Sound On Sound, Dec 1989MIDI Mutable MixerMost small mixers simply don't have enough inputs for even a modest home recording setup. One that certainly does is the new 20:2 Tascam MM1, complete with MIDI mute automation. Tony Hastings checks it out. |
A Grand PerformanceReview | Sound On Sound, Oct 1990Emu Proformance Sampled 16-Bit Piano ModuleThe sound of a grand piano is, after the human voice, perhaps the most versatile, familiar and evocative sound in music — and it's certainly the most imitated, most recently by the Emu Proformance. Tony Hastings continues the search for the perfect piano module. |
Keeping Up To DateReview | Sound On Sound, Dec 1990Alesis Quadraverb Plus and Datadisk SQUpgrading your equipment doesn't always mean selling the old stuff and replacing it entirely: new facilities and features may be only a chip away. Tony Hastings looks at updated versions of two Alesis units. |
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